Special feature of 1905 film network In the next few days, the special planning series of the 35th China Film Golden Rooster Award of Today Film Review will follow the footsteps of this year’s Golden Rooster with the audience, and tour the excellent domestic films together. Through the light and shadow, we will look back on China’s self-confidence and China’s strength in the works, and strive for a new journey with the Golden Rooster. This issue focuses on the six best feature films nominated by the Golden Rooster Award. As a new benchmark for China films, what kind of China story will impress the audience?

This year’s Golden Rooster Award for Best Feature Film has been nominated by the jury. Why can they stand out from many films? Yin Hong, a professor at Tsinghua University, said: "These six films reflect the best level of film creation in China in the past year. Military action films include The Battle at Lake Changjin and Sniper, thematic tribute films include Me and My Father, and realistic works include Life Events, Love Myth and Miracle Stupid Child. A wide range of themes and diversified styles represent the main characteristics of China films in recent years. "

The six films nominated are a manifestation of the diversity of China’s films, and you will find that, like Love Myth and Life Events, they are all directors’ first films. After combing the previous Golden Rooster Awards, in fact, few new directors’ works can be shortlisted for the best film lineup. On the one hand, it reflects the phenomenon of successors in China films, and the younger generation of filmmakers began to take over and become the main force of China films; On the other hand, it also shows that the Golden Rooster Award, as a professional award, is selected according to the degree of innovation of artistic works.

Yin Hong said: "Like" Love Myth ",people don’t really believe that it is a debut. Its audio-visual language is so mature, the deployment of actors is very complete, and the actors perform their roles brilliantly, and every scene is very vivid; The whole art scene deployment of "Life Events" is full of fireworks in the process of flowing on the streets of Wuhan. You will feel that the younger generation of directors, due to the richness of the media, are growing and maturing faster than before, and it is easier to talk and integrate with the most advanced audio-visual language and create their own style. "

Love Myth and Life Events are not only directors’ first films in common, but also small-scale films. As a professional award, the Golden Rooster Award pays more attention to the artistic completion of the film on the premise of correct thinking, and has nothing to do with the cost itself. From the market point of view, the six nominated films have performed very well, which also shows that not only the Golden Rooster Award is choosing films with high artistic completion, but now the audience is becoming more and more mature and aware of what a good film is. A really good movie has nothing to do with the cost, but pays more attention to the penetration of emotion and the resonance of the audience.

The nominated Love Myth, Life Events, Sniper, and Miracle Stupid Child, which tells the story of Qian Qian’s desperate struggle outside, have one thing in common, all of which are small-incision narratives. In recent years, China filmmakers have been deepening the people-centered creative orientation. In their works, they don’t necessarily have to describe the great man or the heroic image of Gao Daquan, but more often show ordinary life, including ordinary people in a great event, and how they can play their role in a great historical stage. Yin Hong mentioned: "This also reflects the needs of the audience. Now many ordinary people are willing to watch ordinary people stand up and take responsibility in life, including the courage to face crises, hardships and challenges. These works all have this feature."

In the past two years, we can see that the main melody films have become more and more popular and popular. Among the six best feature films shortlisted for this year’s Golden Rooster Award, there are three main melody films, namely "My Father and I", "Sniper" and The Battle at Lake Changjin, all of which have their own characteristics.

Me and my parents

"My Father and I" is an important tribute work after the founding of the Party for a hundred years. Several directors presented their best and most familiar styles to the audience, and the audience saw a collection of films with different styles in one film.

Snipers

Sniper is a war genre film with a small incision narrative, which reflects the new exploration of China filmmakers in war genre films. Different from the grand war scenes movies in the past, a small battle action can now be made into a genre film, which is gripping and full of twists and turns.

The Battle at Lake Changjin

The Battle at Lake Changjin, on the other hand, is a film that embodies the production level of China’s film industry. It has achieved very high results in characterization, scene design, narrative ability, audio-visual stimulation and impact, and it is really gratifying at the box office. It can be said that The Battle at Lake Changjin has presented the best level that China’s film industry has reached at present.

The finalists of this year’s Golden Rooster Award represent the responsibility and responsibility of filmmakers in the new era to strut, work hard and move forward bravely. In the next journey, what kind of film works will China film workers use to better express the spirit of the times and enhance the spiritual strength of the people? What kind of China story can better impress the audience? Yin Hong said: "The 20th National Congress put forward many requirements in its report, which are to enhance cultural self-confidence and self-reliance and enhance China’s cultural influence. This is an important creative direction for filmmakers. It is necessary to explore the themes that can bring spiritual support to the people in China’s history and reality, and present them in movies. It is necessary to better take root in life, be familiar with history, and better grasp the development context of the big pattern of the times. While highlighting the creation of the main theme, let it resonate with contemporary audiences, and show the world a respectable, credible and lovely image of China through the presentation of these events and characters. "

Golden Rooster and Singing, striding on a new journey, among the six films nominated this time, the most intuitive feeling is the deep feelings of home and country, the warmth of home, and the confidence of the country. At the same time, it also allows us to see China’s past, present and future. I hope that in the future, China will become more and more broad on the road of becoming a film power, and can produce more excellent films to meet the audience’s demand for watching movies, and at the same time show the world the beauty of films that belong to China alone.

On May 17th, during the 2022 World Telecommunication and Information Society Day Conference, China Unicom successfully held the launch conference of innovative achievements of 5G application sailing, and jointly released the 5G private network PLUS scene products "5G accompanying private network" and "5G multi-park private network" with industrial partners, and held the unveiling ceremony of the OPENLAB open laboratory of 5G Internet of Things to promote the 5G application sailing.

Liang Baojun, deputy general manager of China Unicom, said in his speech that China Unicom has implemented the "Sailing Action Plan for 5G Applications (2021-2023)" of ten departments including the Ministry of Industry and Information Technology, focusing on the five main businesses of "big connection, big computing, big data, big application and big security", focusing on "building the cornerstone of 5G computing network, promoting 5G wisdom and gathering 5G ecological partners". 1,500 5G industry virtual private network projects and 5,000 5G commercial industry application projects, covering more than 20 sub-sectors such as steel, mining, education, cultural tourism and medical care, and accelerating the 5G integration innovation from pilot demonstration to scale replication.

Take advantage of the situation and gain insight into the "new track" of industrial digital transformation

Wang Zhiqin, vice president of China Information and Communication Research Institute, pointed out in his speech that the new digital infrastructure represented by 5G is driving the continuous upgrading of production methods, lifestyles and service systems, and promoting the continuous deepening of digital transformation in various fields of economy and society. As a new industry information infrastructure, the virtual private network of 5G industry has evolved from 1.0 to 2.0, realizing the evolution of 5G from ToB general network to customized network of thousands of industries. China Unicom has continuously deepened the private network market and continuously introduced innovative products of 5G private network PLUS scenes, which has achieved fruitful results in the digital transformation of 5G empowerment industry.

In order to continuously accelerate the transformation of 5G applications from "model rooms" to "commercial houses", Wang Zhiqin proposed that the first is to formulate a series of standards for 5G industry private networks and build a cross-border integration landing system; The second is to build a cross-border communication platform and build an application ecological cultivation system for the 5G industry; The third is to establish a "model room" for the application of the 5G industry and establish a publicity and promotion system.

Ingenuity forging, gaining momentum to innovate and develop "new kinetic energy"

The 5G private network has become a "new engine" for the technical integration of 5G vertical industries and communication fields and the high-quality development of 5G applications. At this conference, China Unicom, together with ICT Institute, State Grid Shandong Electric Power Company, Guangdong Bureau of Politics and Statistics, FAW Group, Beijing University of Posts and Telecommunications, Huawei and other industrial partners, released the 5G private network PLUS scene products "5G accompanying private network" and "5G multi-park private network".

Concentrate on the strength and win-win situation. 5G application sails the value of "new blue ocean"

Walking alone is fast, and many people travel far. At this conference, China Unicom, together with partners such as ICT Institute, State Grid Shandong Electric Power Company, Huawei and Zhuhai Gree, jointly released the OPENLAB of the 5G Internet of Things, built a joint innovation technology service platform, and accelerated the consolidation of the application technology foundation of the 5G industry.

5G pilot, sail the future. China Unicom is willing to join hands with all parties in the industry to promote the integration of 5G into thousands of industries and create a new blue ocean of digital economy.

On February 11th, BYD announced at the Eye of the Gods Intelligent Driving Conference that in the next 2-3 years, intelligent driving will become the standard, and all BYD models will be equipped with the "Eye of the Gods" advanced intelligent driving system, and the first batch of 21 models will be listed soon. Among them, more than 100,000 models are standard in the whole system, and most models below 100,000 are equipped. "Eye of the God" is divided into three versions, which are equipped with different brands of BYD models, and it is planned that more than ten models of it will be equipped with Hesse lidar in 2025.

The intelligent driving industry chain has developed rapidly and the hardware configuration has been significantly improved. BYD’s "Eye of God" has more than 10 cameras, and more millimeter-wave radars are used. Industrial chain enterprises such as Heertai, Yutaiwei and Kabeiyi are all involved in the supply, involving intelligent controllers, data transmission, data cables and other products. In terms of cost control, it is estimated that the price of BYD’s intelligent driving system needs to be controlled within 10,000 yuan to maintain market competitiveness, and the addition of DeepSeek technology is expected to help reduce the cost of intelligent driving solutions and promote the comprehensive popularization of intelligent driving.

With the promotion of intellectual driving and equal rights, industry competition intensifies, and price wars may heat up. Car companies need to find a balance between technology research and development and cost control, while facing challenges such as regulations, safety and ethics. CITIC Jiantou Research Report believes that 2025 will be the key node for smart driving to achieve leap-forward development. BYD’s participation is expected to accelerate the penetration rate of smart driving, and the smart driving industry chain is about to enter a golden period of development.

　　2016 is an extraordinary year. Adjusting the structure, promoting reform, and transforming government functions, every step must be determined to swim against the current, and to retreat if you don’t advance.

　　As the prime minister of a big country, how did Li Keqiang spend the past year?

　　This year, he continued to twist the "bull nose" of the reform of "simplifying administration and decentralizing power" to create a clear growth environment for enterprises and people; Promote "mass entrepreneurship and innovation" and make entrepreneurial innovation become a common practice throughout the country; Promote "Internet+government services", so that data can run more and people can run less errands.

　　This year, the "strong rhythm", which is famous for its high efficiency, was staged many times overseas, including four countries in Asia and Europe, the Americas, Laos and Mongolia … … In the rush, he spared no effort to promote international capacity cooperation, and in the face of the downward pressure of the global economy, he realized the complementary advantages and common development of both sides and parties.

　　On the occasion of the New Year, the the State Council client selected 35 photos to freeze the 35 moments of the Prime Minister’s busy work this year. In these moments, it is his figure of being devoted to the country and the people.

　　Prime Minister’s 2016, share with you!

　　On January 4th, Premier Li Keqiang visited Xiaobeiguan shantytown in Taiyuan. He said to the residents here: "I grew up in a shanty town myself and I know your hardships." There are 830 households in this area, only one faucet and one public toilet, and there is no heating and sewer. When leaving, Li Keqiang said to the residents: We must let you live in a new building as soon as possible!

　　On January 5th, Li Keqiang came to Guandi Mine of Shanxi Coking Coal Group and met the miners who had just come out of the well before going down. Among the miners with dark faces, the Prime Minister held their hands tightly and said, "You have been working in the dark underground all the year round, but you have illuminated others. Some people say you are coal sunspots, and I say you are coal Liangzi. Coal workers are not only the backbone of Shanxi, but also the backbone of the country. "

　　On January 25th, Li Keqiang, Premier of the State Council of the People’s Republic of China hosted a forum in Beijing to listen to the opinions and suggestions of the leaders of the central committees of democratic parties, the All-China Federation of Industry and Commerce and representatives of personages without party affiliation on the Government Work Report (Draft) and the Outline of the 13th Five-Year Plan (Draft).

　　After bumping along the rugged mountain road for more than an hour, Li Keqiang came to the home of Wang Qi, a poor household in Banzigou Village, Xiji County, Guyuan, Ningxia on the afternoon of February 1. 70-year-old Wang Qi is paralyzed in bed and can only live on subsistence allowances. The Prime Minister inquired carefully about the distribution of subsistence allowances and reimbursement of serious illness medical insurance.

　　Li Keqiang visited Ningxia Shared Equipment Co., Ltd. on February 2nd. This old foundry state-owned enterprise, founded in 1966, made a revolutionary breakthrough in 3D printing of foundry industry through restructuring and innovation. The Prime Minister praised it for changing from "silly and rough" to "My Fair Lady", showing the integration of "Made in China 2025+ Internet", which is a vivid embodiment of the transformation of old and new kinetic energy.

　　On March 5th, at the fourth meeting of the 12th National People’s Congress, Li Keqiang, Premier of the State Council of the People’s Republic of China made a government work report.

　　On March 16th, Li Keqiang, Premier of the State Council of the People’s Republic of China met with Chinese and foreign journalists in the Great Hall of the People and answered their questions.

　　On March 22nd, Premier Li Keqiang welcomed China to attend the Lancang River in Sanya, Hainan. Leaders of Thailand, Cambodia, Laos, Myanmar and Vietnam shook hands with them and took photos as a souvenir. In 2014, Li Keqiang was in the 17th China — At the ASEAN leaders’ meeting, it was proposed that in China — Under the framework of ASEAN (10+1), explore the establishment of a dialogue and cooperation mechanism between Lan and Mei.

　　On March 25th, Li Keqiang came to the construction site of Hainan Boao Lecheng International Medical Tourism Pioneer Zone to learn about the living conditions of migrant workers. Knowing that a worker earns 9,000 yuan a month, but sends 8,000 yuan back to his hometown, the Prime Minister said that if you scrimp and save to increase family income, the projects built will also benefit more people’s health. You are the pillars of the family and the backbone of the country.

　　"Is there a difference between the six classics recorded in bamboo slips and the existing version? Have you found the Book of Music? " Li Keqiang repeatedly asked questions with great interest when he learned about the research results of "Tsinghua Bamboo Slips" in Tsinghua University on April 15th. The person in charge of the project said that Yue Jing has long been lost, and it is still difficult to determine, but at present, it has been found that there are many differences between bamboo slips and handed down documents, and there are new titles. The prime minister even praised the work as great.

　　On the evening of April 15th, when Li Keqiang appeared in the dining hall of Peking University Agricultural Park, the atmosphere in the whole hall suddenly reached boiling point, and students rushed forward to shake hands with the Prime Minister and take photos. Li Keqiang sat down among the students after choosing the dishes with a tray. From the expensive food in the canteen to whether the state grants are enough, from the accommodation conditions in the dormitory to the topic selection of the students’ papers, the Prime Minister talked with everyone over dinner for more than half an hour.

　　Three years later, Li Keqiang came to Lushan again. On April 24th, he first went to pay homage to the victims and the martyrs who died heroically in the earthquake relief. Li Keqiang walked slowly up the steps, leaned over and gently put a flower on the memorial platform in front of the memorial hall for the "4 20" Lushan strong earthquake. The names of 196 victims were engraved on the table. The Prime Minister bowed deeply in front of the memorial platform and observed a minute’s silence. The scene was solemn and solemn.

　　Three years ago, in the ruins of the Lushan earthquake on April 20, Li Keqiang shook the hand of the villager Gao Pancai and said, I promise to let you live in a new house. On the afternoon of April 24th, the Prime Minister walked into the newly-built three-story building of Gaos, and listened to the owner’s detailed comparison of life before and after the earthquake. The Prime Minister lamented that Sichuanese are optimistic, have the spirit of enduring earthquakes, and are tenacious and unyielding when encountering any difficulties.

　　On the afternoon of April 25th, Li Keqiang came to Jingrong Chuangke Town, Chengdu, Sichuan to communicate with entrepreneurs. Premier was invited to "learn" the skills of badminton robots designed by the entrepreneurial team.

　　On the evening of April 25th, Premier Li Keqiang visited Kuanzhai Lane in Chengdu at night. Just not far into the alley, Li Keqiang was attracted by the signboard of "See Mountain Bookstore", and went straight in, "scouring" books from shelf to shelf.

　　On May 23rd, Premier Li Keqiang filled the fuel tank of a red heavy truck on the assembly line at the new factory of Dongfeng Commercial Vehicle Heavy Truck.

　　On June 12th, Premier Li Keqiang accompanied visiting German Chancellor Angela Merkel for a walk in the Summer Palace. The prime ministers of the two countries met at the East Palace Gate and went to Zhichun Pavilion at the same time, overlooking the Buddha Pavilion and the 17-hole bridge symbolizing the spirit of cooperation. Then I went to the antique Dehe Garden Grand Theatre, where I felt the exquisite craftsmanship and rich cultural heritage of China classical gardens in a natural and human landscape.

　　On June 26th, Li Keqiang walked into the Flying Pigeon Bicycle Tianjin Shengli Road Experience Store. Bicycles of different grades, materials and performances are placed here. Premier came to a carbon fiber bicycle, weighed it, and personally experienced the performance of this super smart bicycle. He said, I would like to advertise bicycles in China, and I would like to upgrade the platform for "Made in China".

　　On the morning of June 28th, Li Keqiang, Premier of the State Council of the People’s Republic of China held a dialogue meeting at Tianjin Meijiang Convention and Exhibition Center with more than 300 entrepreneurs from all over the world attending the 2016 Summer Davos Forum. The Premier responded to China’s economic situation, structural reform, manufacturing upgrading, and financial and capital markets. Li Keqiang emphasized that China will continue to promote the development of the capital market in the direction of marketization and rule of law, improve financial supervision and guard against systemic and regional financial risks.

　　On July 6th, Premier Li Keqiang went to Wuhan Yangtze River embankment to direct rescue and disaster relief. It rained heavily that day, and the Prime Minister ignored the mud on the road and went straight to the piping site as soon as he got off the bus.

　　During Premier Li Keqiang’s visit to Mongolia from July 13th to 16th and attending the 11th Asia-Europe Summit, after the morning meeting, the Prime Minister did not rest, and was still busy summing up his work with the ministers.

　　On August 22nd, Premier Li Keqiang came to Huawu Group of Huangsha Village, Yeping Township, Ruijin, Jiangxi Province to inspect the progress of livelihood improvement projects such as the renovation of dilapidated adobe houses in rural areas. During the inspection, Jiangxi Province issued a yellow warning of high temperature, the highest temperature in some areas exceeded 38℃, and the shirt of the Prime Minister was soaked with sweat.

　　On August 22nd, when the Prime Minister passed a paddy field on his way to Ruijin, Jiangxi, he temporarily requested to stop. He got off the bus and went into the field to see the growth of rice, and randomly asked many farmers along the way about the purchase price of rice this year and the income of farmers growing grain. Li Keqiang told relevant officials accompanying him that the next step is to improve the grain circulation and price mechanism to protect farmers’ reasonable income from growing grain.

　　A sandwich and a cup of coffee is a lunch for Premier Li Keqiang during the East Asia Summit on September 8th. In this series of leaders’ meetings of East Asian cooperation, the Prime Minister’s multilateral and bilateral foreign affairs meetings were arranged in a tight schedule. It was past 1 noon that day, and the Prime Minister had just finished a bilateral meeting, and then he would immediately attend the leaders’ meeting of the "10+8" East Asia Summit. The prime minister’s lunch can only be so fast.

　　On the morning of September 19th, local time, Premier Li Keqiang attended the high-level meeting of the United Nations General Assembly on solving the problem of mass migration of refugees in new york, and expounded China’s proposition on solving the refugee crisis. This is the first high-level meeting to deal with the problem of refugee migration since the founding of the United Nations, and it is also the first time that Premier Li Keqiang took the podium of the General Assembly.

　　On the evening of September 21st, local time, two hours after Premier Li Keqiang arrived in Canada, he attended a family dinner hosted by Canadian Prime Minister Trudeau at the Prime Minister’s residence in Lake Chareton. Before the meal, the prime ministers and couples of the two countries sat and talked by the lake outside the official residence. After a simple three-course dinner, the prime ministers and couples of the two countries returned to the lake to enjoy the sunset scenery and continue to communicate.

　　On the afternoon of September 25th, local time, Premier Li Keqiang visited Fidel Castro, the leader of Cuban revolution. The two sides exchanged in-depth views on Sino-Cuban relations and a wide range of issues of common concern. Li Keqiang’s wife Cheng Hong attended the meeting. After the meeting, Castro specially accompanied Li Keqiang and his wife to visit the outdoor plantation. After the two sides cordially said goodbye, Castro watched the motorcade of Li Keqiang and his wife leave.

　　On the morning of October 10th, Li Keqiang met with Chief Executive Chui Sai On at the hotel where he stayed in Macau. He strolled to the window and stood for a long time, gazing at this hot land of Macau with deep affection.

　　On the afternoon of October 12th, Premier Li Keqiang came to the main venue of Shenzhen National Double Creation Week. Under the demonstration of a head of a hearing-impaired entrepreneurial team, the Prime Minister also made a gesture of "love". Li Keqiang paid special attention to this entrepreneurial team, and was invited to sign his name on the drawing board of "Caring for the Deaf to Start a Business".

　　On October 13th, a laser-cut word "Made in China" was delivered to Li Keqiang in the laser workshop of Shenzhen Dazu. The Prime Minister studied it carefully and said that the craft is very good, but "2025" should be added. The workers have made a smile and took a photo with the Prime Minister. Li Keqiang encourages employees that "Made in China 2025" holds great promise and should shine in your hands.

　　On October 17th, Premier Li Keqiang watched the launch of Shenzhou XI manned spacecraft at the China Manned Space Engineering Command Center in Beijing. The launch was a complete success.

　　On the afternoon of November 2, local time, after Li Keqiang arrived in Bishkek, the capital of Kyrgyzstan, he got off the plane and went straight to our embassy in Kyrgyzstan, where he had been attacked by terrorism, to visit the condolences staff. The Prime Minister instructed that the building should be repaired as soon as possible, and all forces should be coordinated to strengthen security work to ensure the personal safety of embassy staff, family members and overseas citizens.

　　On November 4th-5th, Li Keqiang, who attended the "16+1" leaders’ meeting in Riga, Latvia, held 17 bilateral meetings, which was a "grand slam"! Of course, the busiest core area is the scene where the Prime Minister negotiates with the ministers gathered around during the meeting.

　　On November 7, local time, Premier Li Keqiang and Russian Prime Minister Dmitry Medvedev, who are visiting St. Petersburg, Russia, held the 21st regular meeting between Chinese and Russian Prime Ministers in Constantine Palace, attended the signing ceremony and met with reporters together. Intensive activities lasted from 1: 00 noon to 7: 00 pm. The two "old friends" cordially said goodbye in the snowy night and agreed to meet again in Beijing next year.

　　Shanghai Free Trade Zone is 3 years old. Li Keqiang came here again on November 21st, and visited Shanghai Free Trade Zone for the third time in three years. Since the Prime Minister urged Shanghai to establish a free trade pilot zone in 2013, it has become a "reform highland" in the new era, not only expanding from the initial 28 square kilometers to 120 square kilometers today, but also replicating 10 "reform and opening up experimental fields" in Guangdong, Tianjin and Fujian.

　　On June 19, 2018, the Silk Road International Art Gallery Alliance was established, and national art galleries and key art institutions along the Belt and Road, such as the China Art Museum and the Russian National Academy of Arts, participated in the alliance.

　　[70 Years of Damei Art Exchange Story]

　　On the historic occasion of the 70th anniversary of the establishment of diplomatic relations between China and president, the Supreme Leader of was invited to pay a state visit to Russia and attend the 23rd St. Petersburg International Economic Forum. This is the eighth time that the Chairman of the Supreme Leader has set foot on Russian soil since 2013. The heads of state of China and Russia talked about friendship and planned blueprints at a new historical starting point, which injected a strong impetus into the development of China-Russia comprehensive strategic cooperative partnership in the new era.

　　Over the past few days, a series of colorful artistic activities have been carried out enthusiastically in Moscow, adding a happy and friendly atmosphere to the visit of the Supreme Leader Chairman to Russia and the celebration of the 70th anniversary of the establishment of diplomatic relations between China and Russia. At the China Cultural Festival held in Gil Cultural Center, Russians can not only enjoy tea, sing China songs and listen to China folk stories, but also participate in kung fu and calligraphy workshops. The Great Calligraphy Exhibition between Russia and China, which celebrated the 70th anniversary of the establishment of diplomatic relations between China and Russia, also kicked off in the Russian State Duma Building, where Chinese and Russian calligraphers gathered together. …

　　Since the 18th National Congress of the Communist Party of China, Sino-Russian relations have ushered in the best period in history and become a "model turn" in the relations between big countries and neighboring countries. The Chairman of the Supreme Leader pointed out: "China and Russia are good neighbors linked by mountains and rivers, good friends who help each other and good partners who cooperate sincerely." As a key area of China-Russia comprehensive strategic partnership of cooperation in the new era, people-to-people exchanges have played a positive role with their own characteristics in promoting good-neighborliness and win-win cooperation between the two countries. By holding "cultural year" and "cultural festival" with each other, China and Russia hold activities such as Sino-Russian cultural forum, Sino-Russian Expo and Sino-Russian cultural collection, which makes the cultural exchanges between the two countries closer. Art, as one of the important aspects, has added brilliant colors to Sino-Russian friendship.

　　1. Sino-Russian Art Cooperation under the Belt and Road Initiative

　　Under the grand framework of the "Belt and Road Initiative", China and Russia use culture as the medium, and the level of exchanges is getting higher and higher, and the forms are becoming more and more diverse. China’s ambassador to Russia, AARON Li, published a signed article "Practical Cooperation between China and Russia on the Belt and Road" in the Russian newspaper, saying: "The frequent interaction between professional associations, museums, theaters and art circles in the two countries has greatly prospered the form and connotation of cultural exchanges between the two countries."

　　In recent years, the cultural exchanges between the National Museum of China and Russian museums have increased day by day, and several influential exhibitions have been held successively, such as the exhibition "lev tolstoy and His Times" held in cooperation with Tolstoy’s Jasna Bolena Manor Museum and Tolstoy’s Moscow Museum in 2014, and the exhibition "Echo of the Volga River — — The exhibition of traveling paintings in Trechakov Gallery, and the exhibition "Silk Road and Russian National Cultural Relics" held in cooperation with the Russian National Museum in 2016. In the exhibition "Silk Road and Russian National Cultural Relics", 594 cultural relics, such as costumes, handicrafts and daily tools of major ethnic groups along the Russian section of the ancient Silk Road, were exhibited, from which the audience can see the imprint of cultural exchanges between China and Russia over the past few hundred years and feel the concept of exchange and intercommunication of the Silk Road. These exhibitions have deepened the mutual understanding between the Chinese and Russian peoples, and become an artistic and cultural feast loved by Russian audiences.

　　In June 2018, the Silk Road International Art Gallery Alliance promoted by the China Art Museum was established. National art galleries and key art institutions from 18 countries and regions along the Belt and Road, including the Russian National Academy of Arts, participated in the alliance, which opened up an important channel for art exchanges between countries.

　　China and Russia are both important members of the BRICS countries, and the two sides have maintained close communication and coordination within the framework of the BRICS countries. In recent years, the BRICS Museum Alliance and the BRICS Art Gallery Alliance, in which China and Russian museums and art galleries participate, have been established respectively, laying a solid foundation for promoting and strengthening cultural and artistic exchanges among BRICS countries. Museums and art galleries in China and Russia continue to expand friendly cooperation, use the power of art to promote the building of a community of human destiny, and promote exchanges and mutual learning among the world’s diverse civilizations.

　　In the process of organizing and implementing the "One Belt, One Road" international art project, the National Academy of Painting of China invited painters from many international art institutions, including the Russian Academy of Arts, to participate in the creation, which enriched the performance system of the whole project. In addition, the Sino-Russian art exchange exhibition with the theme of "One Belt, One Road", Russian painters go to Moscow, St. Petersburg and other places to collect wind and sketch, and Russian artists come to China to create exchanges and other activities are dazzling and colorful.

　　2. The art exchange exhibition with climax after climax.

　　In recent years, with the cultural exchange becoming a highlight of Sino-Russian relations, the art exchange exhibition between the two countries has reached a climax, and the social response has been enthusiastic, forming a colorful and beautiful picture.

　　On May 7, 2015, on the eve of attending the celebration of the 70th anniversary of the victory of the Great Patriotic War in Russia and visiting Russia, the Chairman of the Supreme Leader published a signed article entitled "Remember history and create the future" in Russian newspaper, pointing out: "The Chinese nation and the Russian nation are both great nations. At that time, we shared weal and woe and formed an indestructible fighting friendship with blood. Today, the Chinese and Russian peoples will work together to protect peace and promote development, and continue to make their own contributions to consolidating lasting world peace and common progress of mankind. " At every major historical node, China and Russia will talk about fighting friendship through artistic exchanges to commemorate the road of great power relations that has gone through hardships and hardships. In August, 2015, China Art Museum and Russian National Museum and Exhibition Center co-sponsored "Victory: 1945-2015! — — The exhibition of Russian art works commemorating the 70th anniversary of the victory of the world anti-fascist war kicked off. The exhibition brings together the works of several generations of outstanding Russian artists, including 76 anti-fascist classic collections from 12 important Russian art institutions, including the National Russian Museum and the National Central Museum of Russian Modern History. This is the first large-scale centralized exhibition of Russian anti-fascist art works in China. Some oil paintings familiar to the audience in China appeared in the exhibition, which attracted people’s attention. For example, Laktyanov’s Letter from the Front, written in 1962,It was once included in China’s history textbook, depicting the situation that the people in the rear were eagerly looking forward to letters from relatives in front of the battle during the war. This exhibition is in line with the China Art Museum’s exhibition "Casting Soul to Learn from History, Cherishing Peace — — The art exhibition commemorating the 70th anniversary of the victory of the Chinese people’s War of Resistance against Japanese Aggression and the world anti-fascist war echoed each other, forming two highlights of the activities commemorating the 70th anniversary of the victory of the world anti-fascist war. The heroic sons and daughters who fought for the motherland and the world, full of passion and fighting spirit, as well as the painter’s carved brushwork vividly reflect the indomitable and bloody spirit of the Chinese and Russian people, and show the firm determination and confidence of the Chinese and Russian people to cherish history and love peace together.

　　"The true meaning of the revolution is to seek the liberation and freedom of the greatest number of mankind, and Lenin has achieved great success here." — — On November 7, 2017, a silk calligraphy appeared in the "Commemoration of the 100th Anniversary of the October Revolution — — On the October Revolution Cultural Relics Exhibition in the Russian National Museum of History, this is a mourning speech written by Sun Yat-sen for the first anniversary of Lenin’s death. The exhibition is divided into three parts: Great Revolution, People’s Memorial and Sino-Soviet Friendship. With precious historical relics, real historical photos and wonderful works of art, it shows the audience a magnificent great revolutionary struggle, an earth-shaking historical change and a story of Sino-Russian friendship. The exhibition brings together dozens of oil paintings depicting the October Revolution and related major events, including gerasimov’s Lenin on the rostrum, sokolov scalia’s Assault on the Winter Palace and other classic paintings, as well as some sculptures and posters. The exhibition includes 238 exhibits, the vast majority of which are exhibited in China for the first time, including many heavyweight cultural relics.

　　The works of lev tolstoy, a world writer, have long been cherished by the people of China. The first Russian cultural exhibition hosted by the new China National Museum is "lev tolstoy and His Times". In September 2014, Tolstoy’s "A Letter to China People" appeared in this exhibition. In this letter to China scholar Gu Hongming, the writer wrote: "I have always been very interested in the life of the people in China. I try to know what I can understand, first of all, the religious wisdom of China, reading books of Confucius and Mencius and commenting on them. Of course, I also read books about Buddhism in China and about China written by Europeans. " A total of 255 pieces (sets) of exhibits including the above-mentioned letter manuscripts were exhibited in this exhibition, among which oil paintings, prints, sketches, sculptures and other works of art became a highlight. The exhibition begins with the portrait of lev tolstoy painted by Lie Bin and ends with Tolstoy’s tomb painted by Bao shcherbakov in the autumn. The exhibition also exhibited many works of art such as Tolstoy’s novels War and Peace, Anna Karenina and Resurrection. Gorky said that it is impossible to know Russia without knowing Tolstoy. The holding of this exhibition provides a good perspective for Russian audience to understand Russian civilization, and adds a story to the long history of Sino-Russian cultural exchange.

　　In recent years, the number of China calligraphy and painting exhibitions held in Russia has also increased day by day, which has set up a bridge between the two countries to promote mutual understanding between the arts and the people. Among them, "Colorful Beijing Love to Build a Chinese Dream — — 2014 First China Artists’ Creation and Large-scale International Fine Painting and Calligraphy Exhibition ","Ink Focus Entering Russia in 2016 "and" The Light of Chinese Civilization — — A series of exhibitions, such as China Art Exhibition, Famous Artists’ Painting and Calligraphy Exhibition and Shanghai Museum’s Collection of Ming Dynasty Art Treasures, have attracted the attention and interest of local people. It is reported that ordinary Russians have hardly heard of China’s traditional Chinese painting before, and only artists can tell the difference between "meticulous painting" and "freehand painting". However, nowadays, many people in Russia have become lovers of this plastic arts, and they like to deal with ink and watercolor. When talking about the causes of this phenomenon, a China calligraphy and painting enthusiast in Russia said that China’s traditional Chinese painting has its own characteristics, giving people a sense of mystery, and the Russians’ interest in the increasingly powerful China is also one of the important reasons.

　　3. Colorful art activities for the 70th anniversary of the establishment of diplomatic relations.

　　This year marks the 70th anniversary of the establishment of diplomatic relations between China and Russia, which is a milestone and a new starting point. Since the beginning of the year, art exchange activities with the theme of 70 years since the establishment of diplomatic relations between China and Russia have started one after another.

　　On January 6th, Russian artist Sidoroff and China artist Tomus "met" at the China Art Museum. Sidoroff was born in 1928 and served as the chairman of the Russian Artists Association for more than 20 years. His works show the vast momentum of Russia, with poetic lyricism and musical sense; Born in 1932, Tomus is a native of Tumote Zuoqi, Inner Mongolia Autonomous Region, China. For decades, Tomus has been devoted to the exploration of nationalization and modernization of oil painting, and is regarded as the pioneer of "Grassland Painting School". Sidoroff loves China traditional culture, likes Qi Baishi and China’s poems. In modern times, especially since the founding of New China, Russian oil painting has influenced several generations of China painters, among whom Tomus is one. In "Watching the 70th Anniversary of the Establishment of Diplomatic Relations between China and Russia: Hometown — — Sidoroff and Tomus oil painting joint exhibition ",these two elderly people who witnessed and witnessed the Sino-Russian friendship, described the sincere friendship between Chinese and Russian artists in oil painting language.

　　On the eve of the Lunar New Year, the first activity of "Happy Spring Festival" in Moscow in 2019 was "Damei China" — — The Sino-Russian Youth Culture and Art Exchange Festival opened at the China Cultural Center in Moscow. With the theme of "Russia in My Eyes", 50 outstanding children’s paintings and calligraphy works were selected for exhibition. The activity not only enhanced the mutual understanding between teenagers of the two countries, but also made the audience feel the charm of China culture.

　　Both China and Russia are cultural powers, each with a long cultural history and rich cultural resources. From March 15th to May 30th, the "Exhibition of the 18th Century Oriental Prosperity and Emperor Qianlong of Qing Dynasty" sponsored by the Palace Museum in Beijing was held in Moscow Kremlin Museum. The Palace Museum selected 116 pieces (sets) of cultural relics to exhibit, showing a prosperous 18th century Oriental Prosperity, which was welcomed by Russian audiences. As an important cultural exchange activity to commemorate the 70th anniversary of the establishment of diplomatic relations between China and Russia, in August, the Kremlin Museum will hold the "Mu Mu Zhi Yi — — The theme exhibition "Russian Palace Ceremony Exhibition" from Moscow Kremlin is also worth looking forward to.

　　On May 28th, the opening ceremony of the Great Calligraphy Exhibition between Russia and China was held in the Russian State Duma Building to celebrate the 70th anniversary of the establishment of diplomatic relations between China and Russia. China artists brought calligraphy works created on traditional Xuan paper, and performed live calligraphy creation performances, while Russian artists created unique calligraphy works on birch bark and parchment with feather pens and brushes. Ambassador AARON Li said: "The calligraphy exhibition fully embodies the close cultural exchanges between the two sides and shows the enthusiasm of the two peoples to learn from each other’s art." AARON Li emphasized that the Russian Museum of Modern Calligraphy has done a lot of work in developing and popularizing Russian calligraphy and promoting cultural exchanges between China and, and will hold a large-scale exhibition of Chinese painting and China calligraphy in September this year.

　　The colorful art activities have enriched the forms and connotations of cultural exchanges between China and Russia, enhanced people’s understanding and interest in each other’s cultures, and created a rich artistic atmosphere for the 70th anniversary of the establishment of diplomatic relations between China and Russia. Art is connected with people’s hearts, and the ties of art bring two countries with splendid civilization closer and more cordial.

　　(Author: Yu Yuanyuan)

With the increasingly fierce competition in the automobile market, there is a cruel elimination match between automobile enterprises, some of which have been forced to withdraw from the stage, while others are being pushed out of sight by the "big waves".

For example, Roewe, a brand that was once popular in the market with its star model RX5. In 2018, with the help of Roewe RX5, Roewe went to the "highlight" moment with a performance of over 470,000 vehicles.

However, with the rise of new forces and the efforts of various traditional car companies in technology and new products, the labels and selling points of Roewe RX5 are no longer competitive. Since 2021, the sales volume of Roewe RX5 has entered a state of sharp decline. In 2022, the sales volume continued to decline, with a direct drop to "freezing point" in April, with a monthly sales volume of only 1,990 vehicles.

The sales volume of Roewe RX5 has shrunk, which directly affects the overall performance of the brand. In 2021, the sales volume of Roewe was only 348,400, and in 2022 it dropped to 260,000. You know, in 2017, the sales volume of Roewe RX5 alone was 237,000, which shows how much it was affected.

To sum up the decline of Roewe, it is precisely because it relies too much on the sales support of Roewe RX5, and the brand performance is in trouble because the number of vehicles is too single. The decline in sales of Roewe RX5 is due to the "short board" of product strength, which has no advantage compared with the current new energy vehicles and the market competitiveness is greatly reduced.

Fortunately, in the face of successive declines, Roewe also took out its own attitude step by step, stepped up the push of new cars, and strived to catch up.

The latest news shows that Roewe will launch a new car, Roewe D7, this month. The new car is aimed at medium and large cars, and it will launch a DMH hybrid version and an EV electric version respectively. At the same time, the new car will integrate scientific and technological equipment such as Yunsu cockpit and zebra intelligent driving machine system.

From the appearance, the front face of the new car adopts a brand-new inductive design language, which is different from the design of the existing Roewe series products and is more recognizable as a whole. Specifically, Roewe D7 EV and DMH adopt different shapes, and D7 EV adopts the design of closed front face and split headlights. The D7 DMH adopts integrated headlights, and the front air intake grille adopts the extension design elements of left-right expansion and up-and-down support, which makes the vehicle’s vision more spacious.

From the side of the car body, this car is equipped with hidden door handles and 18-inch wheels with low wind resistance, which is more scientific and technological as a whole. In terms of the rear end, the tail shape is round and generous, full and full of tension.

The taillights are slender in shape, with the duckling tail design with the edge of the trunk slightly upturned, which is full of movement. In terms of body size, the length, width and height of the new car are 4890/1872/1510mm and the wheelbase is 2810mm respectively.

In terms of interiors, the two cars are consistent, equipped with an integrated large screen and made of a lot of suede. It is worth mentioning that the seat is decorated with diamond-shaped elements, which increases the sense of advanced vehicle.

In terms of power, Roewe D7 pure electric version was born in SAIC Nebula pure electric platform, which will provide two new Rubik’s cube batteries, corresponding to CLTC comprehensive cruising range of 510km and 610km respectively. In terms of power, the new car will be a VGA six-in-one motor and a permanent magnet synchronous motor with a maximum power of 155kW.

The DMH hybrid version is equipped with a hybrid engine with a thermal efficiency greater than 43% and a fuel consumption of 4.3L/100km. Under CLTC condition, its pure electric cruising range is 125km and its comprehensive cruising range is 1400km.

Write it at the end

As a medium-sized and large-sized car, Roewe D7 combines advanced technology design and diverse power options, which is very in line with the current mainstream. After the new car goes on the market, it will compete with BYD Seal and Deep Blue SL03. It is said that the price will start from 130,000, which is still attractive to consumers.

　　　　"Dedicating to firefighting is a noble realm! Choosing firefighting is choosing dedication. In the face of the baptism of blood and fire, and the test of life and death, firefighting officers and soldiers have rushed to the front line of emergency rescue and firefighting and disaster relief again and again, in exchange for social peace and people’s safety. Standing up, not afraid of sacrifice; heroic and tenacious, living up to their mission; going through fire and water, pursuing excellence… This is the ideological benchmark of firefighting officers and soldiers, and it is also the spiritual motivation and solemn commitment of firefighting officers and soldiers."

　　　　4月29日上午，消防英雄李继文、潘志毅事迹展在浙江省平湖市档案馆爱国主义教育基地举行了揭幕仪式。平湖市消防大队、平湖市民政局、公安局、文体局、教育局以及两位烈士家属等115人参加了揭幕仪式。平湖市委常委王道平出席了仪式。

　　　　揭幕仪式定于上午10时开始，然而9时刚过，社会民众就自发的来到烈士事迹展门口静静的等待。一位姓吕的市民手捧鲜花前来，将花束轻轻放在烈士事迹介绍展板前，并向烈士遗像鞠躬。“李继文是我民兵训练时的教导员，他为人正直，工作敬业，对于他的牺牲我一直深感惋惜。”他这次听说烈士事迹展开展，特意前来献花，以表怀念。

　　　　上午10时整，李继文、潘志毅事迹展揭幕仪式正式开始。平湖市委常委王道平、嘉兴市档案局副局长周军、平湖市消防大队以及平湖市中小学代表都纷纷在仪式上作了发言。他们纷纷表示，一定要立足本职，学习李继文、潘志毅两名烈士舍生忘死、顽强拼搏、无私奉献的精神，今后要用自己的行动为嘉兴市经济建设发展做出应有的贡献。

　　　　两位烈士家属与平湖市委常委王道平一同为消防英雄李继文、潘志毅事迹展揭幕，由公安部消防局谢模乾政委亲笔题词的“人民卫士 浩气长存”映入眼帘。现场响起了经久不息的掌声，代表了人们对烈士的无限敬意。随后，参观者跟随讲解员步入展厅。整个烈士事迹展分为英雄篇、成长篇、奋斗篇、励志篇四个部分，共展出烈士照片99张，实物73件，包括烈士生前所使用过的物品、穿着过的衣物、获得过的部分荣誉，生动地展现了李继文、潘志毅短暂而光辉的一生。

　　　　观看着烈士生前的一张张照片、一件件实物，听着讲解员富有感情的解说，观看着展厅里播放的“烈火双雄”的纪录片，许多参观者流下了感动的泪水。少先队员代表张紫薇说：“我们将以优异的成绩告慰烈士的英灵，他们将永远活在我们心中。”

　　　　再次目睹烈士生前的音容笑貌，在一件件展品中寻找着最珍贵的记忆，烈士家属们感到既悲痛又骄傲。李继文的妻子胡赞希望烈士事迹展能让更多人感受到烈士的精神，学习烈士的责任感，并将这种精神和责任感化为努力工作、认真生活的动力。

　　　　新闻链接：在浙江省嘉兴平湖市委、市政府的精心组织下，历时半年时间，平湖市爱国教育基地李继文、潘志毅烈士事迹展终于落成于东湖风景区环城东路9号，占地约120平方米，投资近二十万余元，烈士事迹展通过展板、文字、图片、实物等，详细介绍了李继文、潘志毅烈士的成长过程及所获得的荣誉，全方位展示了两位烈士的光荣历史和消防官兵不畏艰难，勇于拼搏的精神。

　　　　2007年9月13日凌晨，浙江省嘉兴平湖市林埭镇徐家埭集镇的平湖市林埭镇喜福门木门厂发生火灾。接到报警后，平湖市公安消防大队迅速出警组织扑救。 在灭火过程中，一根断落的电缆线突然砸向官兵，紧急关头，李继文同志奋不顾身冲上前去推开一名战士，自己不幸被电缆线击中，强大的电流把他击倒在河中。潘志毅同志见状急忙冲向前去拉他，也被电流击倒在河中。事发后，李继文、潘志毅被战友们迅速送往医院抢救，因伤势过重，抢救无效，光荣牺牲。

It’s for the most beautiful and ordinary. -"Love Transfer"

To say the hottest variety show recently, it must be "Braving the Wind and Waves". After all, it is rare for 30 famous actresses to get together in a variety show.

Counting carefully, there are quite a few sisters who have cooperated with each other. For example, Quiet and Liu Yun have cooperated with Huang Xiaoming in "The Son of Man 2" and The Duke Of Mount Deer, and Bai Bing, Alina Zhang and Kym have cooperated in the TV series "Myth" …

Of course, the most frequent one is the Love Call Transfer released on Valentine’s Day in 2007. In this film directed by Zhang Jianya, written by Liu Yiwei and starring Xú Zhēng, Quiet, Yi Nengjing, Eva Huang and Bai Bing all appeared.

In addition to these four sisters, there are actresses such as Fan Bingbing, Song Jia, Amanda, Qu Ying and Jiang Hongbo in this film, which are enough to make up the twelve constellations, plus the male No.2 Liu Yiwei, all of which revolve around the hero Xu Zheng.

This uncle Xú Zhēng is also an Ivy League player in the entertainment circle. Over the years, from acting to guiding, what remains unchanged is his consistent bald head and consistent "middle-aged crisis".

Thirteen years ago, he was a middle-aged man who broke up in Love Call Transfer. Thirteen years later, he is still a middle-aged man who broke up in Lost in Russia.

At that time, I saw this "Love Call Transfer" and thought it was a low-level fun film to satisfy men’s fantasies, but now looking back, the film is actually wrapped in a gaudy coat with a quite sincere theme.

01

The story begins with the seven-year itch of Zaler Xu (Xú Zhēng). He hates that his wife always wears purple sweaters, always does the same Zhajiang Noodles, and always watches boring TV plays. He was tired of his boring wife and routine life, and broke up with her. While repairing his mobile phone, he met an angel (Liu Yiwei) who was a little greasy.

The angel saw through Zaler Xu’s inner desire and gave Xu Lang a magical mobile phone. Every time she pressed the key, she would have an affair, and she would have what kind of woman she wanted, but only 10 chances.

Luo Yanyan (Song Jia Jr.)

For the first time, Zaler Xu met Luo Yanyan (Song Jia Jr.). She will decorate a room full of candlelight when the electric light is broken-that’s the romance that Zaler Xu yearns for in her marriage life with no waves of daily necessities. However, in the end, Zaler Xu found out that their meeting was actually arranged by Luo Yanyan. She got pregnant before marriage, just wanted to find a cheap father for the baby, so she broke up and gave up.

Chen Xiaoyu (Fan Bingbing) and Zaler Xu

The second time, Zaler Xu wants a woman who has no past love, so she meets the capable policewoman Chen Xiaoyu (Fan Bingbing). But Chen Xiaoyu knew his marital status and told him that he was not going to accept a divorced man.

Longxiaxia (Eva Huang Decoration)

The third time, he hoped to meet a woman who was not so conservative, so he bumped into a bad girl, Long Xiaoxi (Eva Huang). She took him to a disco in a bar, and the Internet cafe stayed up all night, fighting if there was a disagreement, which made Xu Langzhong young in 2022. However, Zaler Xu was somewhat overwhelmed by the rebellious nature of the lobster. She is naive and doesn’t understand her responsibilities. Looking for a husband is like looking for a father, which makes Zaler Xu’s conscience bitter.

Zhou Xinrui (Bai Bing) and Zaler Xu

For the fourth time, he followed the rules and made a blind date with Zhou Xinrui (Bai Bing), but he was collectively judged by friends and relatives headed by her mother like an interview. When Zhou’s mother asked him to go back and wait for news, Zhou Xinrui stopped him and asked, "Do you believe in miracles? Are you a man bound by secular prejudice? Do you like chatting, playing mahjong, traveling and organizing group activities? What about the national standard? " After getting the answer, Zhou Xinrui was astounding. She felt that Zaler Xu and her mother were the most suitable.

Pan Wenlin (Quiet Decoration) and Zaler Xu

For the fifth time, his mother introduced him to the fashionable and shrewd Pan Wenlin (Quiet Decoration). When she went to buy a house, she saw through all the advantages and disadvantages at a glance, and she not only saw through the house, but also saw through men. What annoys Zaler Xu most is that she pays no attention to Zaler Xu, and when she looks at the house, she chats with real estate developers more and more vigorously, just like a like-minded couple.

Liang Huijun (Yi Nengjing)

The sixth time, Liang Huijun (Yi Nengjing), the overbearing female president with strong control desire, made him the executive director of the company. But she threw away his old mobile phone without asking, and let him use the new mobile phone she sent. She was the only one in the mobile phone. She asked a woman to test his loyalty, but he found that she had broken ties with her predecessor and went straight to bed to make out.

Li miao (Qu Ying)

The seventh time, he yearns for the extremely loyal li miao (Qu Ying), but she keeps a big dog named Schubert. Schubert loves dogs more than men because of her past experience of accompanying her. Zaler Xu tried his best to please Schubert, but he still put himself in the hospital.

Gao Fei (Amanda)

For the eighth time, Zaler Xu met Gao Fei (Amanda), a female doctor in the hospital. She was thoughtful, and she could interpret every word and every action of Zaler Xu, and she was ready to test whether he was lying at any time and place.

Just like the little girl in the fairy tale "Seven Colors Flowers", he wasted all the opportunities in front of him to satisfy his greed, but he was not satisfied. After experiencing all kinds of beautiful women’s adventures, Zaler Xu actually felt that she only got tired.

He complained to the angel, "I just want to find a normal and ordinary woman who can live quietly with me and teach her children."

At that time, Zaler Xu pressed the ninth button, and he went back to the home he had been familiar with and bored with. As he used to go home from work every day, he saw his wife waiting for him at home.

He was familiar with the door and undressed, excited to hug his ex-wife, ready to tell her about his adventures after breaking up. But at this time, he suddenly found that his ex-wife had a new husband, no longer wearing a purple sweater, but changed into a big red couple sweater with her new husband. And everything he once disliked was full of pride in the mouth of his ex-wife and new husband.

They kept him for dinner, and the newlywed husband said, "It’s just like at home." He also taught him step by step how to eat his wife’s Zhajiang Noodles, while his ex-wife whispered to him, "Sorry, it’s still Zhajiang Noodles."

Once again eating the familiar bowl of Zhajiang Noodles, Zaler Xu was full of bitterness and forced to smile.

Later, he calmly told the angel that his ex-wife was very happy now. And he finally grew up and finally understood that no woman in the world was prepared for you in advance. "The problem is not with them, maybe it’s with me."

Fortunately, the movie gave him a happy ending. After he threw away his mobile phone, he met the former Pang Kun.

Pang Kun (Shen Xing) and Zaler Xu

02

This movie seems to be the experience of a middle-aged man who broke up, but in fact it is the growth process of his understanding and understanding of marriage.

At the beginning of the film, the director asked Zaler Xu, the male actor played by Xú Zhēng, to tell his marriage problems in a monologue. He said, "People say it’s itchy for seven years, but I’ve never been itchy", but his tangled eyebrows and awkward mouth betrayed his "heart itch".

Then, the director portrays an ordinary housewife with a series of detailed shots at dinner, who is careless, unkempt and has no interest in life. At the same time, he gives Zaler Xu a shot to show his disgust.

In fact, even if Zaler Xu doesn’t say anything, the audience can guess that the dull life has obliterated their feelings.

When his wife growled hysterically at Xu Lang for a reason to break up, Zaler Xu didn’t even bother to say the reason at first, but later he was forced to be nasty and told a lot of reasons:

You always wear this purple sweater at home. I hate purple, you know? I hate seeing purple!

The cup for brushing teeth must be placed on the second floor of the shelf, and it can’t even be printed!

Toothpaste has to be squeezed from bottom to top, so I’ll squeeze it in public. What’s the matter?

Every Thursday, it will always be Zhajiang Noodles and TV series!

Also, when you eat noodles, can you stop playing around with that noodle!

In fact, he only said two words-boredom.

There is a saying, "marriage is like a book, the first chapter is poetry, full of passion;" The rest of the chapters are plain prose, as plain as water. "

Zaler Xu, though married for many years, seems to be taken care of too well by his wife. He takes all his wife’s care for granted, and regards his wife’s restraint as a chain that binds him. Like a child, he only thought about rebellion and didn’t know how to cherish it at all. It was not until he lost it that he suddenly realized that he had got the best.

At the beginning of the movie, the colors are all dark, and the wife is wearing a dark purple sweater with messy hair, making Zhajiang Noodles for Zaler Xu in the dark. At the end, the home is bright and warm, the wife’s makeup is exquisite, and she is busy in the kitchen with her newly married husband.

Zaler Xu was eating Zhajiang Noodles, glancing at his careless wife, and his eyes were critical. At the end, he looked at his happy ex-wife and looked gloomy.

begin

ending

The ingenuity of this film lies in that, on the one hand, it attracts the attention of all kinds of beautiful women to improve the box office, on the other hand, it also makes Zaler Xu’s growth process intuitive and concrete, and finally tells a truth that everyone seems to understand, but it is often impossible: "If you love someone, you have to love her all."

When the angel said this to Zaler Xu in the film, there was light behind him.

03

In addition to the addition of many stars, Xú Zhēng’s performance also added a lot of color to the film. At the beginning, his brow wrinkled into the word "embarrassing". Standing in the elevator, a few monologues made Zaler Xu, a depressed image in the besieged city of marriage, jump out.

When dating Chen Xiaoyu for dinner, he wanted to experience the feeling of being handcuffed, and he showed his inner joy with only two hands.

The last time I saw an angel, Zaler Xu’s eyes and eyebrows were all relieved by Qian Fan.

04

At the end of the film, Zaler Xu and Faxiao reunited in fireworks, and the theme song "Love Transfer" sounded, which became the crowning touch.

At that time, Eason Chan asked lin xi to write a new lyrics for Under Mount Fuji and made the theme song "Love Transfer". Not only was the melody catchy, but every lyric told people about their wandering in love and marriage, and it was a smash hit as expected.

Candlelight lit up the dinner and there was no answer.

Love is not a warm invitation to dinner.

The sheets are covered with petals and hugged to make it grow.

It’s too crowded to drive to other soil.

Feelings need people to take over and get close to expectations.

Expectation brings a vicious circle of disappointment.

Short is always romantic, long is always dissatisfied.

Burn perfection and youth for a new wife.

Transfer the warmth of one person to the body of another.

Let the mistakes made last time reflect on your dreams.

Everyone has enjoyed it in this way.

To refuse to be the scapegoat of love.

Memory is the moonlight that can’t be caught, and it becomes dark when you hold it tightly.

Wait for the false back to disappear in the clear.

The sun is flowing in the body and all karma is forgiven.

Love keeps standing and wanting to go to the end of time.

How brave you need to be

Don’t be disappointed. It’s for the sake of

The most beautiful ordinary

-"Love Transfer"

tag

In the plot structure of Love Call Transfer, there are some shadows of "Fake God" and "Remote Control of Life", but it is still rare in domestic movies. Coupled with the gathering of stars, the theme song is a masterpiece, which led the trend at that time, and later two sequels were made.

One is the female version of Love Call Transfer 2, which is still directed by Zhang Jianya and starred by Lin Jiaxin, and gathered a group of handsome guys. The other is the same screenwriter Liu Yiwei, and also asked Ge You to star in Xú Zhēng as a guest star in Destiny Call Transfer.

Although the box office has always been popular, the word-of-mouth of these two films has not been copied successfully, because they only imitate the superficial model-piling up stars and assorted movies.

The most criticized thing about "Call Transfer of Love" has always been the fact that it is a platter movie. Can make many people forget it, or because the story is not perfunctory, and the theme also cuts the hidden pain of countless men and women.

Editor in charge:

[car home Jincheng Preferential Promotion Channel] Recently, we learned from BMW officials that the high-profile Jincheng market is undergoing substantial discounts, with the highest discount reaching 149,900 yuan. At present, the minimum starting price of BMW i4 has dropped to 320,000 yuan. Interested consumers may wish to click "Check the car price" in the quotation form to strive for higher discounts.

The exterior design of BMW i4 fully reflects its dynamic and futuristic feeling. BMW’s family-style kidney-shaped air intake grille is used in the front face, but the design is flatter, which is integrated with the LED headlights on both sides to create a strong visual impact. Overall style, BMW i4 presents streamlined body lines, low body posture and dynamic roof arc, showing its sporty temperament. In the rear part, the slender LED taillight group is adopted, and the sporty rear enclosure design further strengthens its sporty atmosphere.

The side lines of BMW i4 are smooth and elegant, with a body size of 4785*1852*1455mm and a wheelbase of 2856mm. The front and rear wheel tracks are 1601mm and 1630mm respectively, which ensures the stability and handling of the vehicle. Equipped with tyre size with front 245/45 R18 and rear 255/45 R18, with unique rim design, it not only enhances the visual effect of the vehicle, but also enhances the driving experience.

The interior style of BMW i4 is simple and technology-oriented, and the overall design is simple without losing the sense of luxury. The model is equipped with a 14.9-inch central control screen, which supports multimedia system, navigation, telephone and air conditioning voice recognition control system. The steering wheel is made of leather, which supports manual adjustment up and down and back and forth. The front seats provide heating function, and both the main seat and the auxiliary seat have various adjustment functions, such as fore-and-aft adjustment, backrest adjustment, height adjustment (4-way), leg rest adjustment and lumbar support (4-way), which further improves the riding comfort. In addition, the car is also equipped with the wireless charging function of the front mobile phone, multiple USB and Type-C interfaces, and the proportional reclining function of the rear seats, which provides convenience for passengers.

BMW i4 is equipped with a high-performance electric engine, with a maximum power of 250 kW and an astonishing peak torque of 430 Nm, which makes the vehicle perform well during acceleration and driving, providing a strong power output.

The owner of car home spoke highly of the BMW i4. He especially mentioned the excellent sound insulation effect, abundant power, unique design and domineering. In addition, he especially praised the interior of Volcano Red, thinking that its design is no less than that of Mercedes-Benz, which fully shows the luxury and texture of BMW i4.

Core tips

As if experiencing a chivalrous movie, the reporter from Chengdu Business Daily went to Hong Kong to report on Liu Jialiang’s funeral on July 22nd, and what he saw was a story of a weak woman collecting debts on her husband’s behalf in order to help the weak and carry forward the martial arts spirit of her late husband. However, behind this huge funeral, there is another sadness: when it comes to China movies, Kung Fu movies are a topic that can never be avoided. In the impression of ordinary people, it is prosperous and prosperous. It was not until the death of Liu Jialiang, the "master of Kung Fu movies", that many people were shocked by the last wish about the charity fund of Kung Fu movies.

Lens one

On July 24th, Liu Jialiang, a "great master", went to the funeral. His widow Weng Jingjing read a eulogy and announced that she would donate HK$ 1 million to set up a charity fund in Liu Jialiang. The purpose of the fund is to help the Dragon and Tiger Martial Masters who have contributed to Kung Fu movies but are in urgent need of help. At the same time, she also turned over the "old debts" of her husband Liu Jialiang and Shaw Company, referring to the fact that Shaw Company failed to pay Liu Jialiang the bonus that should be paid in the past 30 years "not 50 million, but also 5 million."

Lens 2

On July 29th, Liu Jialiang’s body was cremated at Baolian Temple on Lantau Island. Weng Jingjing revealed that Shaw Company had an internal meeting on the bonus. "I will give them time and talk about it on August 10." On August 10th, Weng Jingjing talked about dividends, saying that Shaw still didn’t give a reply. If the following people don’t care, they will directly call Shao TaiFang Yihua, who has the right to speak.

Master’s last wish

Looking back, there was a crow club drum under the Beaver Temple.

The last wish of a kung fu film leader.

Help Kung Fu filmmakers and promote China Wushu.

Master Liu’s last wish stems from the loyalty of a "leading brother". In 1960s and 1970s, he and Chia Tang were the best martial arts instructors in Hong Kong film circle, and they were followed by many dragon and tiger martial artists. Guolin Xian, a disciple of Liu Jialiang, told Chengdu Business Daily that Liu Jiaban was the earliest martial arts class in the Hong Kong film circle.

John Chiang, Tommy Tam, Yuan Heping, Sammo Hung, Ceng Zhiwei and other big names all followed Master Liu at the earliest time. But not all dragon and tiger martial artists can become famous. Weng Jingjing, the widow, said in her eulogy that it was such a group of people that the master was most concerned about during his lifetime. "As we all know, being a dragon and tiger master will suffer a lot of injuries when making movies for so many years. Therefore, Master Liu has a last wish, hoping to set up a fund to help those kungfu filmmakers who need help and promote China Wushu … … 。”

A "hard wound" in Hong Kong’s film industry

"Dragon and Tiger Martial Master" can’t buy insurance at the expense of health.

Dragon and Tiger Martial Master, a special type of work created by Hong Kong movies. At the peak of Kung Fu movies, a large number of children from poor families devoted themselves to the martial arts. Although they worked hard, body double, special effects and walk-on gained considerable income. Xiong Xinxin, a member of "Liu Jiaban", told Chengdu Business Daily that he went to Hong Kong as a martial artist in 1987 and earned more than 8,000 yuan a month, which was more than 150 times his salary as a martial arts coach in the Mainland.

But the dark side of this profession was not noticed until many years later. Kara Wai, the winner of the Hong Kong Film Awards and the "class flower" of Liu Jiaban in those days, recalled the scenes when he was slapping and acting. "All the jack will encounter the problem of pain. We may have to shoot for more than a dozen times in one second. The achievements of kung fu actors are all exchanged for health. "

At that time, the insurance company didn’t want to insure these martial artists. Kara Wai said, "Because all we do are high-risk actions, the insurance company doesn’t think we are long-term partners. Later, it was slowly available, but the price would be particularly high. "

An embarrassing fund start-up figure

With only 1 million yuan, Weng Jingjing asked Shao Yifu to "collect debts"

"The master has signed a contract with Shaw for every play, stating that there will be Hong Kong and international bonuses, but they have not been received for 30 years. I believe that this money is not 50 million, but also 5 million. I really hope that Sir Shao can support the fund. " Weng Jingjing’s speech received applause from the audience.

"Jenny will take out 1 million yuan, and those of us who are apprentices will take out some money next, but we don’t know exactly how much we can raise." Guolin Xian said that the Kung Fu Film Charity Fund in Liu Jialiang will not only help some martial artists who have difficulties in their later years, but also consider helping some Kung Fu film projects that need funds.

Compared with other hundreds of millions of support funds for Hong Kong films, such figures are somewhat thin at present. Wu Siyuan, a famous director and producer, said in an interview with Chengdu Business Daily: "Liu Jialiang Charity Fund should be the first fund to support kung fu filmmakers at present. The key to the problem now is to see how Shaw Company reacts."

Ceng Zhiwei, who used to be a member of Liu Jiaban, was noncommittal when talking about the debt of Shaw Company and Liu Jialiang: "I know Mr. Shaw’s character, so I shouldn’t (deliberately not give him a bonus)."

As of the press release of this newspaper, there is only one senior Ka Hee WONG (the production director of Shaw Company, who produces most of Liu Jialiang’s films in Shaw) who said: "It’s always the same sentence, no response!"

A history that is about to dissipate.

There are fewer martial artists in Hong Kong, and the industry lacks protection.

In the interview, the reporter asked Guolin Xian how many new people in Hong Kong will join the martial arts school to do martial arts. Guolin Xian, who is now the vice chairman of the World Wing Chun Federation and the chairman of the Hong Kong Wing Chun Federation, said: "Most people who practice martial arts in Hong Kong now are for interest, basically some white-collar workers and foreigners." He said that with the improvement of living standards, the phenomenon that a martial artist entered the business in those days and expected to jump into the dragon gate has long since ceased to exist.

In this regard, Xiong Xinxin introduced that the current martial arts martial arts, from Hong Kong’s Dragon and Tiger Martial Arts Division to the mainland-based martial arts team, but faced with much more embarrassment than in those years. "The competition in the industry is fierce and disorderly. For example, martial arts instructors offer a basic salary of 11,000 months, but some martial artists will lower the price. I am cheaper. Please find me. The producers are naturally willing to find it at a lower price, but he does not consider that the level of martial artists with different prices is different."

In terms of disability protection, today’s martial arts in the mainland are also facing a more embarrassing situation than those of the Dragon and Tiger Martial Arts Division. Xiong Xinxin introduced that although the crew will buy insurance for Wushu teachers now, it is not perfect. "When I was filming" days of our lives ",I didn’t turn it on. A martial arts sparring partner fell off his horse and his hand was broken. The crew should have bought him medical insurance to help pay the medical expenses, but the insurance did not include the living expenses during the lost time … … Mainly because the entire industry of Wuxing lacks sufficient rights and interests protection system. "

on-site investigation

Dancing in pavilions and singing tables, romantic feelings are always blown away by rain and wind.

Kara Wai discloses the status quo in Liu Jiahui.

"I don’t want too many people to see him now."

Speaking of the whereabouts of the former members of the Liu family, Xiong Xinxin was deeply saddened. "I have been in Hong Kong for a few years, and Ching Chu immigrated to Canada. Wai Cheung Mak and I worked together in several plays, and then I heard that I changed careers and worked as a truck driver in a supermarket. Hou Yaozong and Ke Ming Lin followed Sammo Hung as deputy directors. " There is also Yu Yuanwen, who quit the entertainment industry in the late 1980s and started an antique business. Liu Jialiang’s nephew, Liu Jiayong, also retired from the show business in the mid-1990s, and recently made a guest appearance in Wong Kar-wai’s The Grandmaster. "

Kara Wai, a former "class flower", should be a member of Liu Jiaban who is now active in the entertainment industry and has seen the most improvement in his career. Three years ago, she won the Hong Kong Academy Award for winning the Best Actress title for the second time with her consummate acting skills in the movie "demons".

The most touching thing is the "class grass" of Liu Jiaban — — — Liu Jiahui, a kung fu superstar in Liu Jialiang, suddenly fell and suffered a stroke at home in August, 2011, resulting in hemiplegia. At the age of 62, he has now moved to a private nursing home. Due to long-term illness in bed, I have lost my former style. Kara Wai told Chengdu Business Daily: "I know something about him through my friends, and now his mood is much better than before. But he is not a very close friend, he will not see him often, and I know his mood. After all, he is a man of iron, and he will not want too many people to see him now. "

Walk alone

Who can ask, Lian Po is too old to eat?

Many Kung Fu movies "Loss"

Superstar Donnie Yen can’t escape the crisis.

Nowadays, the future of Kung Fu movies is not optimistic. Even Donnie Yen, the superstar of Kung Fu movies, is full of crises behind the flowers. According to the statistics of his movie box office data in recent years, Chengdu Business Daily reporter found that in addition to the series Ip Man, which made him popular, the producers can make profits only by the box office in the mainland. In recent years, the investors of his films such as Royal Guards, Guan Yunchang and Jingwumen have actually been in a state of "loss" in terms of the box office in the mainland.

Without Donnie Yen, the fate of Kung Fu movies at the box office is even more miserable. For example, "gallants", which won the best film in the 30th Hong Kong Academy Awards in 2011, won good word-of-mouth awards, but it was less than one million when the first round of the mainland box office was released, and the box office in Hong Kong was only about 5.6 million, which lost a lot of money.

In the face of the current dilemma of kung fu movies, Guolin Xian also bluntly said, "Donnie Yen became popular too late. He made his debut with Ip Man for more than 20 years. He is still there. How many years can he play? "big wudang" tried to praise Fan Shaohuang, but as a result, he was asked to play a seventeen-year-old in his forties, which was not helpful … …”

Looking for a way out

Cultivate new people and look for opportunities

Guolin Xian is going to shoot the story of Liu Jialiang.

Although the road ahead of kung fu films is difficult, they will not despair. "I hope to have a good opportunity and a good script." Guolin Xian is also trying to tap the opportunity of the next kung fu film like Ip Man. He has set his sights on the family story of Liu Jialiang. "Shooting the story of Hongquan, starting from Liu Zhan and talking about Liu Jialiang, but this story has to be approved by Jenny."

Kung fu movies will not die — — — Even if the hardships are heavy and the blows are repeated, in the mouths of all the people in the industry interviewed by Chengdu Business Daily, they don’t admit that this golden signboard in the Chinese film industry will be buried by time. Jackie Chan asked him to talk about kung fu movies. He also didn’t know what the future kung fu movies would look like. He put his future hopes on the cultivation of new people. "I hope to find some new blood to represent Bruce Lee, Jet Li and Jackie Chan."

kungfu film

Noun interpretation

kungfu film

What is a kung fu film? There is a loose but practical division in China and Hongkong film research circles: generally speaking, martial arts films are characterized by ancient swords, kung fu films are characterized by modern fists, and action films are characterized by fashion guns. According to Zhang Li’s Action Director in the Chinese World: The Secret of Kung Fu

To the disappearing Wulin

When I first went to Hongkong to report Liu Jialiang’s funeral, I thought it was just an ordinary essay. However, on the first day of my arrival, I was shocked by the scene of Wu Xiaoshi, the nine sects that seemed to reappear as a movie scene. I didn’t know that in Hong Kong today, there are still martial arts schools of various sects everywhere. The prosperity of Kung Fu movies and Kung Fu martial arts schools was accompanied by each other from the beginning.

So I couldn’t help but start to pursue the history of Liu Jiaban and explore the bits and pieces behind the story in the interview with Liu Jiaban members. Their years, accompanied by the change of Kung Fu movies in Hong Kong, have their own strange appeal, which makes me want to use my own words to reproduce the blood of a river’s lake. Then, I began to be manipulated by my own words.

Liu Jialiang’s death is no longer the focus I want to express. What I want to discuss is why he has such a last wish, and where the history reflected behind the last wish comes from. Then I seem to have captured such a trace of good fortune from the memories of those people and the colorful light and shadow of those kung fu movies. Those martial artists who have dedicated their youth and blood to kung fu movies, and those kung fu teenagers hiding in the corner of light and shadow, are gradually being forgotten by us with a history that is about to disappear.

Donnie Yen starred in the film box office profit and loss table over the years

In 2008, Ip Man 1 invested 30 million yuan and earned 120 million yuan at the box office.

In 2009, bodyguards and assassins invested 150 million yuan and lost 290 million at the box office.

In 2010, Ip Man 2 invested 80 million yuan at the box office and earned 232 million yuan.

In 2010, Royal Guards invested 80 million yuan and lost 140 million yuan at the box office.

In 2010, Jingwu Fengyun invested 140 million yuan and lost 140 million yuan at the box office.

In 2011, Guan Yunchang invested 150 million yuan and lost 160 million at the box office.

In 2011, "Martial Arts" invested 170 million yuan and lost 170 million yuan at the box office.

Box office profit and loss table of some kung fu movies in recent years

In 2010, gallants invested 6.31 million yuan and lost 5.6 million at the box office.

In 2013, Tai Chi Xia invested 150 million yuan and lost 27.21 million yuan at the box office.

In 2013, The Grand Master invested 120 million yuan, and the box office was barely even with 288 million yuan.

In 2012, Taiji: Starting from scratch lost 150 million yuan at the box office.

Invest 110 million yuan

In 2013, Taiji: The Rise of Heroes lost 100 million yuan at the box office.

Invest 110 million yuan

In 2013, days of our lives invested 70 million yuan and lost 4 million yuan at the box office.

Note: The investment data basically comes from the data released by the producer during the announcement process. It is impossible to explore whether there is any water injection component, and it can only be presented according to the producer’s figures. The box office in mainland China is based on the statistics of non-governmental organizations presented by Baidu Box Office, and the final box office data should be slightly floating. According to the calculation that film producers can generally get about 42% profit from box office income, the basis for judging the deficit is based on this. Tai chi 1, 2 has a total investment of 220 million yuan, and here, each part is divided equally.