Produced by iQiyi and Stellar Gravity Media, with Ying Dai, Wang Yixu and Zhang Yucheng as the chief producers and Zhao Yilong as the director, I’m Going Against the Wind, an excellent urban workplace drama adapted from a novel with the same name, was officially launched on December 7, which tells the story of a national brand’s revival under the impact of e-commerce economy. Xu Si, played by Simon, is a cold, rational and sharp-eyed investor. In the play, he will experience entrepreneurship and reform with many like-minded young partners and go to the ideal business road.

The essence of the original works blends with the background of the times and innovates again. Xu Sili’s pioneering work has stood on the forefront through reform.

"I want to go against the wind" is adapted from the work of the same name by the best-selling emotional novel author Wu Zai. The author combines the commercial workplace with urban love, and his writing is solid, the plot is ups and downs, and he can freely accept it, which has won praise from many readers. What fresh highlights will this film adaptation bring?

Today, the official blog "I want to go against the wind" released a lineup poster and a short film. From many materials, we can see that Xu Si, the male actor played by Simon, has sharp eyes, a strong gas field, and a business elite temperament. His eyes look calm and firm between light and shadow. Among them, the two editions of posters indicate that the characters are about to sail against the wind, and they are going up and down to seek last stand.

The previous works of the cast of "I want to go against the wind" have been widely praised, and the heartfelt comments from netizens such as "Fairy Casting" and "Conscience Cast" have made this urban theme work highly anticipated. The old opera bones and many powerful actors joined in, and the original author made great efforts to ensure the quality of the works, and created high-quality works with more characteristics and tone of the times on the basis of retaining the essence of the original works. "I want to go against the wind" will certainly be worth looking forward to.

Simon breaks through the interpretation of cold and sharp business upstart Xu Si sailing against the wind to protect the revival of national brands

The character of Xu Si, the hero of I Want to Go Against the Wind, is quite different from the role played by Simon before. Xu Si is purer and more rational; He is young and successful, decisive and crisp, conceited and confident about the business language he insists on, and even a little cold and sharp. In business, he is an investor who pays more attention to the return on investment. Between Xu Si and the heroine, from the opponent to the comrades who walk side by side, it is like a contest and a competition. The collision of his values and career views with the Jianghu in the process of starting a business, the differences and reconciliation of career ideas and personal feelings are the true portrayal of every ordinary person who rushes into the sea and spreads his arms against the current in the great era. Xu Si changed from a businessman who only looked at the dividends of the times to a guardian of national manufacturing, which not only showed the insight and national feelings of a new generation of entrepreneurs, but also reflected the patriotism of contemporary young people.

This year, Gong Jun has received extensive attention because of the popularity of many works. In the choice and interpretation of works, he has been constantly breaking through, and the roles in each work are different. In this "I want to go against the wind", I believe that Simon will give full play to the different aspects of the characters’ personalities within his control. Riding the wind, traveling thousands of miles, let’s look forward to the wonderful performance of actor Simon in "I want to go against the wind"!

Special feature of 1905 film network In the past two weeks, "Hundred Flowers Sixty" specially planned a series of programs, and together with filmmakers, reviewed the footprints of Hundred Flowers Award in the past 60 years. A few days ago, the 36th Hundred Flowers Award came to an end, and the film produced by Bona Film won the title of best film, as if once again leading the audience back to a red sea night four years ago.

Hundred Flowers Award, founded in 1962, has gone through 60 years and witnessed the social changes in China with light and shadow. Talking about the 34th Hundred Flowers Award, I have to mention the action war movie, and won the honor of the best feature film of that year, which was the highlight moment of the 34th Hundred Flowers Award Awards Ceremony.

It was the evening of November 12th, 2018 in Foshan. Yu Dong, the chairman of Bona Film, led a team of nearly 20 people from Operation Red Sea’s creative team to attend the award ceremony, which was very spectacular. Because of Operation Red Sea’s outstanding performance, the audience voted for Operation Red Sea in succession, hence the name "Red Sea Night".

Yu Dong said: "In fact, there was a lot of suspense that night, and the most competitive thing was that both films were stories about evacuating overseas Chinese, and both of them achieved good results, so I was very nervous, but I still comforted the director and said that both of your films were shortlisted anyway, and which one won the prize was an honor."

Operation Red Sea finally won five honors that night, including best film, best director, best supporting actor, best supporting actress and best newcomer. A particularly interesting thing happened that year, and many people didn’t expect that the competition for best supporting actor would be so fierce. Operation Red Sea and Wolf Warriors 2 competed for the Best Supporting Actor Award. In the first round, there were 101 votes, and the judges voted on the spot. Both of them got exactly the same votes, with 32 votes, so they voted again, and Du Jiang narrowly won.

Yu Dong mentioned: "Everyone was very happy that day. We were lucky enough to participate in the creation of the film, and we were very happy whether we won the prize or not. What everyone shouted the most was that at the celebration dinner, the director "Tucao" "abused" them, and why it was so hard to shoot at that time. Why do I say that Lin Chaoxian is a madman? He is desperate to make a movie. There is a shot of tank battle with a tank running at high speed in front. The director asked the camera to run after the tank, and then turned from the front of the tank to take a shot of the tank coming in front. The photographer refused to shoot, saying that it was too dangerous, and there was no guarantee that the car would hit in the middle. Lin Chaoxian went on his own, but this lens was too fast, and the car turned over, and even the car was turned into a dust smoke, and everyone was scared. It was really a life-changing lens. "

In the end, director Lin Chaoxian’s head was broken and he turned a few somersaults, but he just stood up, patted his head, and said nothing was wrong. Go on, and prepare for the next shot. This professional attitude infected all the staff present, and it was this crazy and unforgettable shooting experience that made Operation Red Sea such a blockbuster and won the love of the audience. When the thrilling shooting process behind it was shared, it made people feel that the film was hard-won.

Yu Dong once said that to tear down the wall between the main melody film and the audience, what does it mean to tear down this wall?

Yu Dong replied: "We are studying the direction of Chinese blockbusters. In the past, many war films and genre films suffered from many limitations. One was that they were too focused on the theme and lacked a strong narrative structure. The other was that they were afraid to invest in technology and surpass them by taking the same theme as a benchmark. This is also a topic we are constantly exploring. For example, it is a mix of several types, which is already a gangster film plus an agent film plus an action film. Therefore, Bona Film has focused on the stories of firefighters, pilots, marines and drug police in recent years, which also shows the responsibility and responsibility of such a big country as the community of human destiny. We especially hope that the types of China films will present more styles and give the audience more choices. For example, a genre breakthrough has been achieved with oriental thinking, including such a realistic film, which has turned a social problem film into an emotion. It is amazing. "

Over the years, what kind of guiding role has Hundred Flowers Award played in film creation? Yu Dong, as a filmmaker, said: "I started to pay attention to Hundred Flowers Award when I was a child. At that time, my sister especially liked to buy Popular Movies magazine. Every issue came out and she always took it home. Everyone rushed to read it. When voting, everyone discussed who to choose. I definitely voted when I was a child. Later, I liked movies and often watched movies, so I went to the Film Academy and was assigned to work in Beijing Film Studio after graduation. At that time, I took the film of the North Film Factory and followed the propaganda section chief to participate in Hundred Flowers Award. "

Hundred Flowers Award inspired Yu Dong’s interest in movies and led him to start his own film career. Hundred Flowers Award will continue to shine in China, attracting more light and shadow lovers and contributing to China’s film career together.

Hundred Flowers Award’s votes represent the audience’s love, and also reflect the direction of China’s film creation. The people-centered creative orientation reflects the new era and tells the stories around the audience, thus expressing the feelings of the creators and expressing their heroic dreams. I hope that Hundred Flowers Award, the oldest, oldest, most historical and weighty audience evaluation in China, will be able to do better and better on behalf of the audience. It can be more deeply rooted in people’s hearts and influence every audience.

According to the Reuters report quoted by the US World News Network on May 24th, the Office of the US Trade Representative announced that it would extend the 301 tariff exemption period for 352 imported goods from China and 77 imported goods from China related to the epidemic from May 31st to June 14th. Some exempted projects will be extended to May 31, 2025.

The report mentioned that former US President Trump imposed tariffs on China goods in 2018 and 2019 in accordance with Article 301 of the Trade Law.

According to the report, the extension of exemption measures announced on the 24th means that some commodities will continue to be exempted from import duties, including animal feeding machines, DC electric motors, blood pressure monitors and thermostats specially designed for air conditioning or heating systems that are not connected to the network.

The Office of the U.S. Trade Representative said that the exemption period will be extended until June 14th to facilitate the transition. Some exclusions will be extended until May 31, 2025 to support efforts to transfer procurement out of China, or to provide additional time when the supply of products outside China is still limited.

However, according to the Office of the Trade Representative, many products will face tariffs again, including 102 categories, which are items for which there is no public request for further extension, or there is no evidence that extending the exemption will help to transfer the procurement out of China.

These product categories include garage door openers, switches for motor vehicles, printed circuit board components, electric motorcycles, natural graphite, a series of luggage bags and messenger bags.

The report pointed out that Beijing has always criticized the 301 tariff imposed by the United States on China’s imports as "discriminatory".

　　CCTV News:On September 11th, International Sharp Review, the general radio and television station of China, broadcasted an article entitled "Russia’s" Looking East "and Seeing Three Great Scenery", which was reprinted or quoted by many overseas media.

　　From September 11th to 13th, Georgian 1TV and Vietnam National TV Channel 1 quoted relevant contents or materials. Siberian News Network, Czech Today Information Network, Buchrest China Review facebook account of Tananana Radio Station in Romania, website of Industry News in Kazakhstan, website of Turkish Economic Watch, website of Daily Morning News in India, Iranian People’s Road News Network, facebook account of DZME Radio Station in Philippines, website of Nepal Urban FM Station, Facebook account of Myanmar opinion leader media, facebook account of French LCF Radio, German website of European Times, website of Radio Spain International, website and facebook account of Rainbow FM in Lisbon, Portugal, Iberian APP, website and facebook account of Brazil’s Rio headlines, website and facebook account of Brazil’s Sao Paulo World Broadcasting Station, Nigeria’s Leader website, Tanzania’s Africa Media Group website facebook account, Los Angeles Post website, Nordic Times website, Portuguese New Newspaper APP(facebook account, twitter account), Chinese headline APP, European Union Chinese website, China-Europe United Times website, West Africa online website, Africa Times website, Japanese Chinese business website, and Xizhong website. On September 12th, Hong Kong Ta Kung Pao and Hong Kong Business Daily also published and forwarded this article.The main reports are as follows:

　　The 4th Eastern Economic Forum was held in Vladivostok, the Russian Far East city, from September 11th to 13th. The supreme leader of president, China, and many heads of state or government from Northeast Asia, as well as delegations from more than 60 countries, attended the forum with high specifications and large scale, all of which were the highest in the history of the forum.

　　The Eastern Economic Forum was personally initiated by Russian President Vladimir Putin in 2015, and it was one of many "look east" decisions made by Russia in the context of the rapid deterioration of relations with the United States and Europe. Russia’s policy of "looking east" was once regarded by the west as a "temporary strategic adjustment" to ease the pressure of sanctions. Some media even questioned "Looking east, can Russia see its future?" However, with the acceleration of Russia’s eastward pace in recent years, "looking eastward" is increasingly showing the characteristics of Russia’s long-term national strategy.

　　Looking eastward, Russia saw that Sino-Russian cooperation created huge dividends. As Russia’s largest trading partner, China has sent a large-scale and high-standard delegation to attend the first Eastern Economic Forum in 2015 every year. The presence of the Chairman of the Supreme Leader at the forum is the first appearance of China’s head of state at the Eastern Economic Forum, which fully demonstrates China’s positive attitude of participating in the cooperation in the East.

　　The cooperation between China and Russia in the Far East is playing an increasingly important role in the comprehensive strategic cooperative partnership between the two countries. At present, China is Russia’s largest trading partner and the largest source of foreign investment in the Far East, with a total investment of about US$ 4 billion. Twenty-six Chinese-funded enterprises have settled in Russia’s "Advanced Development Zone" and Vladivostok Freeport specially set up for the development of the Far East. At the same time, the two sides are also jointly promoting the construction of a river across the Sino-Russian border — — Railway and highway bridge projects in Heilongjiang to comprehensively improve the interconnection level of infrastructure in the border areas of the two countries. Undoubtedly, deepening Sino-Russian cooperation is an important part of Russia’s "looking eastward".

　　Looking eastward, Russia sees the expansion space of regional cooperation in Northeast Asia. The Eastern Economic Forum has been successfully held for three times, which has had a positive impact in Northeast Asia. During the forum last year, a total of 2.5 trillion rubles were signed, and this figure is expected to exceed 3.5 trillion this year.

　　Northeast Asia is rich in resources, mature in market and huge in potential. In addition to the Chairman of the Supreme Leader, the leaders of Northeast Asian countries attending this Eastern Economic Forum also include Mongolian President Battulga, Japanese Prime Minister Shinzo Abe and South Korean Prime Minister Lee Luoyuan, which fully shows the willingness of countries in the region to strengthen cooperation. At present, several bilateral or multilateral cooperation frameworks in Northeast Asia are gradually taking shape: the construction of China-Russia-Mongolia Economic Corridor has achieved initial results, the negotiation of China-Japan-ROK Free Trade Agreement is accelerating, and the ROK and the DPRK are expected to formally carry out economic cooperation. At the same time, the positive attitude of countries in the region towards the "Belt and Road" has gradually condensed into a consensus. In this context, the presence of the Chairman of the Supreme Leader and leaders of many countries in Northeast Asia at the Eastern Economic Forum is expected to further enhance regional cooperation and further promote the "Belt and Road" in Northeast Asia. This is undoubtedly a major positive for Russia to revitalize the Far East.

　　Looking eastward, Russia sees the development opportunities brought by the "express train" of the Asia-Pacific economy. The Far East is rich in natural resources and is known as "the only treasure house in the world that has not been dug deep". However, due to problems such as slow economic growth, backward infrastructure and serious population loss, this "treasure house" has so far failed to reflect its due strategic significance and economic value. Based on the strategic consideration of the balanced development between the east and the west, Russia has promoted the development of the Far East to the height of national strategy in recent years.

　　Behind this strategy is the rapid economic growth in Asia-Pacific region. As one of the most active and fastest growing regions in the global economy, the Asia-Pacific economic circle is a huge consumer market and a potential source of investment for Russia. Developing the Far East is not only an internal demand of local economic and social development, but also a way to let Russia catch the "express train" of rapid economic development in the Asia-Pacific region. According to Russian customs statistics, the proportion of trade between Russia and APEC member countries in Russia’s foreign trade has increased from 20% 10 years ago to 31% in 2017. According to a poll in 2016, 70% of Russians believe that cooperation with countries in the Asia-Pacific region "has more advantages than disadvantages".

　　It should be pointed out that Russia’s "looking eastward" is not the product of western sanctions against Russia, but the deterioration of relations with the West has accelerated the pace of Russia’s eastward advancement to some extent. Even so, Europe is still an important trading partner of Russia. In 2017, the trade volume between Russia and EU countries still accounted for more than 40% of Russia’s foreign trade. Therefore, "looking east" does not mean that Russia will give up the West, especially its cooperation with Europe. Russia, like the double-headed eagle on its national emblem, will always focus on both the east and the west, but from the development trend, looking eastward, the vision is wider and the scenery is more beautiful.

　　Many overseas media quoted and forwarded "International Sharp Review" articles:

　　On September 12, 2018, Georgia 1TV quoted relevant content or material.

　　On September 12, 2018, Vietnam National Television Channel 1 quoted relevant content or material.

　　Siberian News Network forwarded on September 11, 2018

　　The Facebook account of Bucharest China Review on Tananana Radio in Romania was forwarded on September 11, 2018.

　　India’s "Daily Morning News" website was forwarded on September 11, 2018

　　Iranian People’s Road News Network forwarded on September 11, 2018

　　Facebook account of Myanmar opinion leader media was forwarded on September 12, 2018.

　　The Los Angeles Post website was forwarded on September 11, 2018.

　　The website of Europe-China United Times was forwarded on September 12, 2018.

　　Hong Kong Ta Kung Pao was published on September 12, 2018

The cute "Sugar Bean Man: The Ultimate Elimination" seized the hot tail of summer, and this game, which won the steam weekly sales list for three times, ranked third in the number of people online after "DOTA2". Easy, interesting, fast-paced variety play, chicken eating mode and lovely painting style can be said to be the "secret of success" of this work.

At present, PS4 and steam are the first platforms on which Sugar Bean Man logs in. Many players think this game is very suitable for mobile platforms, such as Nintendo’s NS handheld and mobile phone tablet.

However, it has been confirmed that NS version and mobile version will be launched in the future. Players still need to wait for a while. Of course, players who don’t want to play this game in front of the computer can also play on their mobile phones through the cloud game platform of the handheld Internet cafe ~

Pocket Internet Cafe is a cloud game platform based on X86 architecture. It connects high-performance computers in the cloud through the network, so that players can play any PC game on their mobile phones in the form of streaming, making the players’ mobile phones change into handhelds every second. Therefore, it is no longer necessary to play "Sugar Bean Man" on the mobile phone.

For players who haven’t bought Sugar Bean Man, the Pocket Internet Cafe provides a game account for free. Players can play this game in seconds when they enter the APP, buy it early and enjoy it early, and don’t buy it 100%! Play ~

The variety play of "Sugar Bean Man" can be said to be the essence of the game. I believe that many players have watched live-action programs on TV. Sometimes players often make mistakes in seemingly simple levels, and many players who look across the screen think it is easy for me to get on. Is that really the case?

In fact, seemingly simple hurdles test each player’s physical strength and quick response ability.

The game "Sugar Bean Man" just provides a "personal challenge" opportunity for players who are eager to try through the screen. In fact, this game seems simple without complicated operation, but each player has to face 59 other players, and it is not easy to eat chicken in the end ~

Sometimes many players will be eliminated at the first level, but it is such a relaxed and interesting gameplay that players can always enjoy this and lose again and again.

Players can play this interesting game anytime and anywhere through the handheld Internet cafe cloud game platform, just like playing a mobile game. In terms of operation, although the Pocket Internet Cafe supports external keyboard and mouse, since it is necessary to have the experience of mobile game version, the virtual keyboard function of the Pocket Internet Cafe is more convenient, and it also has the taste of mobile game ~

In terms of practical operation, when entering the game, the handheld internet cafe has already preset the key positions to be used in the game. Of course, players can also customize the layout according to their mobile phone screen size and operating habits. This will also help you to go through five levels between square inches, cut six generals, and control your "love beans" to eat chicken smoothly!

In terms of game experience, although it is a form of cloud game, the game runs in the cloud, and the game screen is compressed and manipulated to stream to the user’s mobile phone in the form of video stream, but the actual game screen and color reproduction will not be lost. At the same time, the handheld Internet cafe can automatically adjust the image quality according to the player’s network environment, and the delay will be well controlled, and the operation is very smooth, just like playing on a local device.

Finally, you like the game "Sugar Bean Man" and don’t want to be confined to sitting in front of the computer to play. Perhaps the handheld Internet cafe is a good choice, and the sense of sight like a mobile game will make you rush on your mobile phone ~

Special feature of 1905 film network The summer file just closed, becoming the biggest winner with 2.9 billion box office.By combining science fiction with comedy, Mahua FunAge not only achieved his own breakthrough, but also expanded the genre dimension of China’s science fiction films in terms of content and production.

For modeling director Liang Tingting, Moon Man’s creative process is undoubtedly a pioneering journey from scratch, from 0 to 1.How to integrate comedy elements into traditional sci-fi modeling, how to give consideration to science and aesthetics in design, and how does the beloved King Kong mouse put on a customized spacesuit?

Behind the scenes of this issue, let’s follow Liang Tingting, explore Moon Man’s clothing library together, and understand the story behind "Minions".

"Minions"

Convey a sense of joy and comedy with warm colors.

Deep blue quiet universe, gray moon surface, white space suit … When it comes to science fiction films, most of the cool colors that come to mind are full of futuristic and technological sense.

However, in Moon Man, the most impressive thing is the bright yellow, full of cheerful vitality and vitality, which coincides with the comedy style of the film.

Liang Tingting said frankly that his original spacesuit was dominated by "conventional" white, and "yellow" was the director’s insistence.

"His goal is very clear, and he wants the feeling of a happy Minions on the moon. Warm colors are more matched with comedy elements."

In order to enhance the aesthetics, Liang Tingting not only uses yellow with different lightness and saturation to increase the layering, but also skillfully adds elements such as white, sapphire blue and red to embellish, creating an unexpected "advanced" texture.

This design also makes Moon Man’s clothes stand out among the sci-fi films, which is unforgettable.

The "traditional" white spacesuit is applied to the dresses of other astronauts such as Ma Lanxing and glasses, which is in sharp contrast with Du Guyue and Gangzi, and it is also a visual adjustment.

"Tailor-made"

Details highlight the characteristics of people.

The service-oriented design of movies should not only pay attention to aesthetics, but also serve the characters and performances, and so should Moon Man.

Take the actor Du Guyue as an example. In the movie, he has eight sets of clothes, among which there are dozens of T-shirts with different patterns such as short sleeves and long sleeves, plus jackets, vests, suspenders and other equipment, which are countless.

In the specific design, in order to highlight the decadent state of the characters guarding the moon alone, the costume team seized a key word — — "greasy"

"He thought he was the only human being left, so at first he was in a state of ruin. We also made the clothes old and greasy, and the size was looser than normal, which highlighted the feeling of untidiness," Liang Tingting said.

At the same time, according to his status as a maintenance worker, the team also added a lot of clever ideas to the details, such as many pockets on the pants of work clothes and many small holes in the belt, which is convenient for carrying maintenance tools and so on.

With the development of the story and the change of Duguyue’s mentality, there are also different makeup and hairstyles to match it.

At the beginning, the "rotten" stage was unkempt and unshaven. After resuming contact with the earth, the appearance was immediately renewed and full of energy. Bags under the eyes, dark circles and decrees are obviously different from before.

If these are just routine operations, the hilarious "female kangaroo" shape is definitely a stroke of genius.When designing, Liang Tingting also started from the story itself: "What tools can Du Guyue use alone in the cabin? What kind of female kangaroo suit can you make? "

Finally, she chose to use hand-painted graffiti combined with Du Guyue’s casual clothes to create a "cartoon version" of the female kangaroo, which is full of childlike interest and joy, and has become one of the important burdens of the film.

Looking back to the earth, because we have just experienced a disaster, the overall dress style of human beings on earth is mainly simple.

The uniforms of base personnel such as Ma Lanxing are dominated by dark colors, all of which have been polished, and the design of uniforms is also based on simplicity, highlighting the capable and cool side of characters.

Among the post-disaster group images, the "No.1 Star" played is the most special, and the subversive bald hairstyle is full of laughter.

Liang Tingting was also deeply impressed by this: "Z.TAO played a star who was trapped in the subway by a disaster. In the end, there was no star burden and appearance concern at all. This bald shape is very helpful for him to show the inner state of the characters. "

"technology flow"

The design of spacesuit contains Gankun.

What’s it like to run and jump with Weiya on your back? This is the daily life of Shen Teng and the actor who plays King Kong Mouse on the set.

Liang Tingting revealed that the real spacesuit is even heavier than 40 kg, and its volume is even larger. When wearing it, actors can hardly make large-scale body movements such as turning their heads, reaching out and lifting their feet.

Therefore, the first step in the design is to "slim down" and "reduce the weight" of the spacesuit. First, the overall size is reduced, which is more suitable for human wear. Secondly, 3D printing is selected as the material, which effectively reduces the total weight.

According to the action requirements of different scenes, spacesuits will also be "ever-changing".

"The appearance looks the same, but the amount of relaxation is actually different. For example, if he wants to raise his hand or fight, he will relax more in his armpits, neck, back and other parts," Liang Tingting explained. "Such a person needs to prepare many sets of clothes, all of which add up to nearly 50 spacesuits. In this science fiction film, the amount of clothing is very large. "

Although the size and weight have been reduced, the modeling team insists that the basic functions and structure of the spacesuit cannot be changed, such as the closed structure in a vacuum environment, and the rigor of these details cannot be relaxed at all.

In addition to the basic design of the spacesuit, the screen on the chest of the arm, the life support system on the back and the helmet on the head also contain Gan Kun.The arm screen is not only decorative, but also as big as buttons and small as light bulbs. Most of them can be operated in real life. Strictly speaking, it belongs to the field of industrial design, which is a big challenge for the Liang Tingting team.

"The circuits and batteries inside are real. We can say that we have experienced the whole process of electronic products from design to production, and also broadened my design field."

Compared with Dugu Yue, it is undoubtedly more difficult to make King Kong mice wear spacesuits. Liang Tingting and his team have repeatedly studied and tested how to approach kangaroos infinitely in appearance and make actors move more easily.

They first studied the joint position and muscle direction of the kangaroo, and designed a "filler" to transform the actor’s figure into a kangaroo.

At the same time, in order to make the actors move more freely, the modeling team also designed several sets of King Kong mouse spacesuits to adapt to different postures such as squatting, jumping and sitting.

The most distinctive thing is the design of kangaroo’s "claws". Are the five fingers separated or put on gloves as a whole? Liang Tingting finally chose to combine realism with artistic processing, and his fingers can be opened and closed, especially in the scene of saying goodbye to Duguyue, where Gangzi kept scratching the hatch with gloves, which was both lovely and touching and impressive.

In this issue of "Behind the scenes" recording, the host also personally went into battle and experienced the feeling of becoming an "astronaut". Unexpectedly, the process of wearing a spacesuit only requires three people to help, which is very complicated and complicated. The life support system behind it is also quite heavy, which puts a lot of pressure on the spine.

After some practical experience, we can’t help but pay tribute to the actors and the behind-the-scenes team. Wearing a 40-kilogram spacesuit, you can imagine the efforts you have made to complete all kinds of actions under the condition that every move is very difficult.

Just as Hao Han, the actor who plays King Kong Mouse, has been preparing for a "faceless" role for 11 months without complaining, Liang Tingting and the modeling team are also "unsung heroes" behind Moon Man’s 2.9 billion box office.

Adding a touch of bright color to the film with costume modeling, Liang Tingting and Moon Man jointly completed a breakthrough and innovation of domestic science fiction.

　　Zhongxin Finance, January 27th (Ge Cheng) Recently, Chongqing Ruilan Automobile Technology Co., Ltd., a joint venture company under Geely, officially settled in Liangjiang New District of Chongqing. The new company is jointly invested by Geely Automobile and Lifan for 300 million yuan, which indicates that Geely will accelerate its entry into the new energy vehicle exchange circuit.

　　It is reported that Ruilan Automobile is an automobile company with independent production qualification jointly established by Geely Automobile and Lifan Technology, which is positioned in a new generation of new potential energy for power exchange and travel. In the future, Ruilan Automobile will develop new products based on the self-developed power exchange platform, and work together at the B-end and C-end to lay out the power exchange market.

　　In addition to car companies, power battery related companies are also actively deploying in the field of new energy vehicles. On January 18th, Contemporary Amperex Technology Co., Limited, the industry leader, released the power exchange brand "EVOGO", providing users with a "combined power exchange overall solution" consisting of three products: power exchange block, quick exchange station and APP.

　　The power exchange mode is popular.

　　In addition to the newly-built Ruilan Automobile and Contemporary Amperex Technology Co., Limited, Weilai, BAIC, Geely, Chang ‘an and other enterprises have successively laid out the new track of power exchange.

　　In 2020, Weilai was named as one of the 100 companies that changed the world by Fortune magazine because it launched a battery rental service based on the separation of vehicles and electricity. Its CEO Li Bin said: "The battery of the power station itself is an energy storage device. In the process of operation, the use of technological innovation can effectively reduce the carbon emissions per unit of electricity and the overall facilities."

　　Charging and replacing facilities are the bottleneck of the popularization and application of new energy vehicles, and whether the electric energy is "clean" is also the key to its energy saving and emission reduction. Chen Quanshi, a professor at Tsinghua University Institute of Vehicles and Transportation, said that centralized power exchange can make full use of the low-peak electricity at night and further reduce carbon dioxide emissions.

　　The power batteries of new energy vehicles can form a huge "power sponge", which can realize reverse power transmission to the power grid by centralized charging and replacing, and has the potential of dispatching energy storage. Xin Baoan, chairman of State Grid Co., Ltd. said that new energy vehicles with power batteries can effectively participate in peak shaving and valley filling, ensure the balance of power and electricity, and improve the overall operating efficiency of the power system.

　　On the other hand, adopting the power exchange mode can also make the new energy vehicles change and leave without waiting for charging. When a new energy vehicle is charged to 80%, it takes 30 minutes at the earliest, and the power change can be completed within 5 minutes. The appearance of power exchange mode will effectively improve the problem of long waiting time for new energy vehicles to replenish energy. Once popularized, the long-term "queuing" of charging stations will no longer exist.

　　In addition, the power exchange mode is also conducive to improving safety and prolonging the service life of power batteries, which can effectively reduce the use cost of new energy vehicle batteries. The centralized monitoring, management and maintenance of batteries by operating companies are more professional than users, which is conducive to prolonging the life of power batteries and improving the safety of batteries.

　　Although the advantages are obvious, the development speed of the new energy vehicle power exchange mode is far less than that of charging. Experts in the industry generally believe that the current standard of power exchange is not uniform, which is a major obstacle to the development of power exchange mode. Liu Yongdong, director of the Standardization Center of China Electric Power Enterprise Federation, once admitted that the power exchange standards are not completely missing, including connectors, batteries and communication protocols, but they are all related standards. However, due to the constraints and poor operability of the standards, a consensus has not been reached in the industry.

　　Policy promotes the development of power exchange

　　New energy vehicles are an important cornerstone of the development of China’s automobile industry, which has played an indispensable role in the process of China’s transformation from a big automobile country to a powerful automobile country.

　　According to official data, in 2021, the sales of new energy vehicles in China reached 3.521 million, a year-on-year increase of 1.6 times, ranking first in the world for seven consecutive years. Relevant policies have played a very important role in the development of new energy automobile industry.

　　In 2020, the Development Plan of New Energy Vehicle Industry (2021-2035) issued by the General Office of the State Council put forward an outline for the development of new energy vehicle charging mode: we should vigorously promote the construction of charging and charging network, encourage the application of charging and charging mode, strengthen the research and development of new charging technologies such as intelligent and orderly charging, high-power charging and wireless charging, and improve charging convenience and product reliability.

　　In view of the development of new energy vehicle power exchange mode, the competent authorities have also put forward corresponding policy standards to promote the innovative development of business models.

　　On November 1, 2021, the "Safety Requirements for Electric Vehicle Switching" promulgated by the Ministry of Industry and Information Technology was officially implemented, which stipulated the safety requirements, experimental methods and inspection rules of electric vehicles, and solved the urgent problem that there was no standard to follow in the switching mode. In the future, the standards for power batteries of new energy vehicles are expected to be unified.

　　In addition, increasing the research and development of new technologies will also play a positive role in promoting the rapid development of new energy vehicles. On January 10th, 2022, the National Development and Reform Commission and other departments jointly issued the "Implementation Opinions of the National Development and Reform Commission and other departments on Further Improving the Service Support Capability of Electric Vehicle Charging Infrastructure", proposing to continue to increase the research and development of new technologies and continuously improve the standard system. Give full play to the energy storage characteristics of power batteries, explore and promote orderly charging, V2G and other forms, and realize the synergistic interaction between electric vehicles and the power grid. Promote the power exchange mode according to local conditions in scenes such as mines, ports and urban transshipment.

　　At present, the Ministry of Industry and Information Technology has started the pilot work of the application of new energy vehicle power exchange mode. There are 11 cities included in this pilot project, and Beijing, Nanjing, Wuhan and other cities have been shortlisted as pilot cities for power exchange mode, and will accelerate their development in strengthening technology research and development, carrying out demonstration applications and improving infrastructure.

　　Business model needs to be broken through.

　　As a new thing, the development of new energy vehicle power exchange is not smooth sailing.

　　In 2019, Weilai Automobile launched Nio Power power exchange technology for private car owners. After a period of operation, some users spit out: "Change the power for three minutes and wait for one hour." On the one hand, it reflects that the power exchange service is hot and popular among car owners, which was once in short supply; On the other hand, the new business model has shortcomings and poor user experience.

　　By 2021, Weilai has built more than 700 power stations in China. According to the plan, in 2022, Weilai automobile power stations will exceed 1,300.

　　As time goes on, the power exchange mode has gradually matured in the pilot cities and has been accepted by car owners.

　　Master Wang, a taxi driver in Beijing, told the reporter of Zhongxin Finance and Economics that the mode of changing electricity brought convenience to the new energy taxi he was driving. In the past, it took one hour to charge, but now it only takes three or four minutes to get it, and the price is more affordable than that of a fuel car. Sixty or seventy yuan can run more than 200 kilometers. More and more taxi drivers have taken new energy taxis as the first choice for changing cars.

　　At present, many car companies, such as Weilai and BAIC, have launched battery-changing models and power stations, but the battery-changing business is mostly based on their own brands, and the market level has not been penetrated, and the corresponding business model has not been completely opened. The development of battery-changing mode is still hindered by many obstacles. Li Songzhe, a researcher of China Electric Vehicle committee of 100 Research and Consulting Department, mentioned that even if a car company realizes the unification of battery specifications and standards, it is still difficult to make a profit because of its small scale.

　　Although there are many difficulties at present, under the background that car companies and power battery manufacturers are competing to enter the new energy vehicle power exchange track, the power exchange mode will still usher in a wave of leap-forward development. The unification of relevant standards for power batteries will accelerate the popularization of power exchange mode, and then form a business model with wider coverage and more mature operation mode. By then, the last obstacle to the development of new energy vehicles will be removed, and the problems of "by going up one flight of stairs" and "mileage anxiety" will no longer exist. (End)

Letter of Opening Office of the State Council [No.33 [2021]

　

General offices of the people’s governments of all provinces, autonomous regions and municipalities directly under the Central Government, and general offices (rooms) of ministries and commissions and institutions directly under the State Council:

The fourth meeting of the National Leading Group for Openness of Government Affairs and the "General Office of the State Council on Printing and Distributing"The Notice on Key Points of Government Affairs Openness in 2021 (No.12 [2021] of Guo Ban Fa) requires that local governments and the State Council departments with the power to make rules should make the existing effective regulations of their local departments publicly available through the "Government Information Openness Column" of the government portal website before the end of 2021. In order to strengthen work norms and improve the quality and effectiveness of centralized and open regulations, we have consulted with the General Office of the Ministry of Justice and are hereby notified of relevant matters as follows.

First, when the rules are formulated or amended, in accordance with the provisions of the Regulations on Rules-making Procedures, the principal responsible person shall sign an order to publish it. When the rules are made public, only the title, caption and text are made public, and the order signed by the person in charge is not repeated. The caption shall include the announcement time and document number, revision time and document number, implementation time and other identifying information. For details, please refer to the Legal Information Network of China Municipal Government (website of the Ministry of Justice).The caption format of "Administrative Regulations Library".

Second, in order to improve the authority and standardization of centralized disclosure of rules and regulations, and facilitate the public to make better use of the rules and regulations obtained through the Internet, the General Office of the Ministry of Justice and the China Government Network Operation Center have designed the web page layout and download layout of rules and regulations, and at the same time, adjusted them accordingly.The page design of "Government Information Disclosure Column" is now issued together.

Three, to strengthen work coordination, coordination of legal institutions to carry out the work together, to clean up the rules and regulations, to lay a solid foundation for the centralized and open regulations. It is necessary to strengthen the management after disclosure and establish a dynamic updating mechanism so that the results of centralized disclosure of regulations can continue to play a role.

Four, the general office of the people’s governments of provinces (autonomous regions and municipalities directly under the central government) to guide the offices of the people’s governments of cities and autonomous prefectures in accordance with the requirements of this notice to do a good job of centralized disclosure of regulations, and in the portal of the people’s governments of provinces (autonomous regions and municipalities directly under the central government)"Government information disclosure column" focuses on the regulations of the people’s governments of provinces (autonomous regions and municipalities directly under the Central Government) and the regulations of the people’s governments of cities and autonomous prefectures divided into districts.

Five, the centralized disclosure of rules and regulations, is an important part of deepening the openness of government affairs and strengthening the management of government information, is to implement the "rule of law China construction plan".(2020-2025), the Implementation Outline for the Construction of a Government under the Rule of Law (2021-2025) and other central documents are one of the key tasks, which is related to optimizing the business environment and promoting the modernization of the national governance system and governance capacity. It is necessary to raise awareness, strengthen leadership, do a good job in the implementation of various tasks in strict accordance with the requirements, ensure the timely completion of tasks, and provide the society with the current effective regulatory texts with unified format, complete content and authoritative norms.

I hereby inform you.

The State Council general office government information Yu government affairs public office

October 25, 2021

　

　

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Rules and regulations of web page layout, download layout and column page design scheme

Download attachment:Rules and regulations of web page layout, download layout and column page design scheme

"What I care about most is the most precious thing left by Chinese civilization through vicissitudes. Our culture continues to flow and then pass on, and these treasures left behind must be taken care of and cherished by all means. " Not long ago, when visiting the Central General Hall of China National Edition Pavilion, General Secretary of the Supreme Leader said earnestly.

Treasures are collected in museums, written in ancient books and displayed on the vast land. For these cultural relics and cultural heritages bearing the genes and blood of the Chinese nation, the Supreme Leader General Secretary cherishes them.

From the inheritance of cultural heritage to the protection of natural heritage, from strengthening the protection and utilization of material cultural heritage to stimulating the innovation vitality of intangible cultural heritage … … The general secretary cares about and promotes the protection of cultural and natural heritage from the strategic height of retaining cultural roots and keeping the soul of the nation.

June 10th this year is Cultural and Natural Heritage Day. Let’s follow the supreme leader’s "cultural footprint" and realize his earnest expectations for inheriting and protecting historical and cultural heritage and natural heritage and promoting the rejuvenation of Chinese civilization.

Pay attention to a mountain — — Message "This article should be done well"

The purpose of applying for the World Heritage is to better protect and utilize it. The General Secretary of the Supreme Leader has given important instructions to "carefully protect the cultural heritage left by our ancestors so that the historical context can be better passed down".

On the evening of December 1, 1999, Wuyishan City, Fujian Province was in a festive and lively atmosphere.

At the 23rd World Heritage Conference held in Morocco, Wuyishan was listed in the World Heritage List, which became the fourth double heritage of world culture and nature in China, and also achieved a breakthrough of zero world heritage in Fujian Province.

The next day, the supreme leader of the then acting governor sent a letter to the Wuyishan Municipal Party Committee and Municipal Government, congratulating the success of the application.

“‘ World cultural and natural heritage ’ This intangible value is immeasurable, and it has far-reaching significance for the future development of Wuyishan tourism, and it will soon bring a tourism boom. " Half a month later, the supreme leader went to Nanping for investigation, spoke highly of Wuyishan’s "Double World Heritage" and encouraged "this article should be done well".

At the end of 1990s, Wuyishan, which is "a wonder in the southeast", began to declare the World Heritage. At that time, the deputy secretary of the provincial party Committee and the supreme leader paid close attention to the progress of the declaration and actively coordinated and promoted the relevant work.

△ On March 22, 2021, General Secretary of the Supreme Leader was in Zhu Xi Garden, Wuyishan, Nanping, Fujian, to learn about Zhu Xi’s life and neo-Confucianism.

At that time, many people thought that Wuyi Mountain’s application for the World Heritage might be to obtain natural heritage, and it might not be able to get the cultural heritage in the vast cultural ocean of the world.

The site of Seoul, a city village with a heavy history, is an important part of the application for the World Heritage. It can be said that it is precisely because of the ancient Seoul that Wuyishan’s "Double World Heritage" was created. In the process of applying for the World Heritage, the Fujian Provincial Department of Culture began to build the Fujian-Vietnam Wangcheng Museum to undertake the protection and management of the Seoul ruins in Chengcun. The Fujian Provincial Party Committee Organizational Committee, headed by the Supreme Leader, actively supported it.

△ Minyue Wangcheng Museum. The site of Seoul has a history of more than 2,200 years, and it is the largest and best-preserved city site of the Han Dynasty found in southern China so far.

With the concerted efforts of all parties concerned, the site of Chengcun Seoul passed the inspection and was praised as "Pompeii City of China" by the UNESCO World Heritage Delegation.

World heritage should not only be used, but also protected. The supreme leader is very concerned about the protection of Wuyi Mountain’s "Double World Heritage". In December, 2001, he made a special trip to inspect the ruins of Seoul, Wuyishan City Village, and told him that "ancient Seoul is a cultural national treasure, which should be carefully studied and rationally developed" and that "development should follow scientific laws and form a research trend of sustainable development".

Based on this, the archaeological excavation of Seoul site has been continuously increased. In December 2013, Chengcun Seoul Archaeological Site Park was included in the second batch of national archaeological site parks. At the end of last year, the park was successfully selected into the list of national archaeological sites parks.

Listen to an epic poem — — Encourage to "carry forward the excellent traditional culture of all ethnic groups"

Manas, handed down from generation to generation, is one of the three major epics of China’s ethnic minorities, which are equally famous as Gesar and Jianger, and it is a classic to praise heroes.

General Secretary of the Supreme Leader mentioned this heroic epic many times. During his trip to Xinjiang in July 2022, the Supreme Leader watched the rap show of Manas in the Museum of Xinjiang Uygur Autonomous Region.

△ On July 13th, 2022, General Secretary of the Supreme Leader was in the Museum of Xinjiang Uygur Autonomous Region, together with the inheritor of the intangible cultural heritage of Manas.

"How long can you sing?" The general secretary asked with a smile.

"I can’t finish singing all day and all night." Jiang Nur, the inheritor and herder of Manas, replied.

"I can only sing for 60 minutes." The 14-year-old apprentice who had been studying art since he was 3 years old was ashamed.

"It’s not easy!" The general secretary said to the teenagers, "The younger generation should be well trained, and the protection and inheritance of intangible cultural heritage should be better strengthened to carry forward the excellent traditional culture of all ethnic groups."

"Have you encountered any difficulties?"

"I want the whole world to know about Manas." Jiang Nur’s eyes are full of longing.

"Is to spread to the world. They are not only ethnic minorities, but also precious wealth in the treasure house of Chinese culture. Chinese culture should better communicate and learn from other cultures. The CPC Central Committee attaches importance to and supports this work. " The general secretary said affirmatively after listening.

Because China has been making continuous efforts to protect intangible cultural heritage, Manas, which once faced the crisis of loss, has revived. In recent years, Manas has not only been translated into many languages and widely published, but also operas based on it have been staged many times. This heroic epic has entered a broader cultural field.

When visiting ethnic minority areas, the Supreme Leader General Secretary often pays attention to the protection and inheritance of ethnic minority cultures — — Learn about the texture of Tibetan carpets in Qinghai, ring Wa wooden drums in Yunnan, and attend a blessing ceremony in Inner Mongolia.

△ On January 27th, 2014, at the winter "Five Livestock Blessing" ceremony in Nadam, Baoligen Sumu (township), Xilinhot City, Inner Mongolia, General Secretary of the Supreme Leader dipped his ring finger in fresh milk in a silver bowl and played it three times in accordance with Mongolian customs, wishing good weather, prosperity of five animals and happiness and well-being of the people in the coming year.

General Secretary of the Supreme Leader stressed: "Chinese civilization is profound and has a long history, and it is formed by the confluence of excellent cultures of all ethnic groups."

It is the fertile soil of multi-ethnic culture rooted in harmony but different that has contributed to the everlasting Chinese culture. This is the important wisdom that Chinese civilization has become the only civilization in the world that has not been interrupted and has developed to this day.

Investigating a Temple — — Admonish "to strengthen cultural self-confidence"

"A father and son three-word guest, four people through the ages." In Meishan city, the streets and lanes are full of profound cultural atmosphere because of the three Soviet fathers and sons.

On June 8 last year, General Secretary of the Supreme Leader who visited Sichuan walked into Sansu Temple.

Front hall, dining hall, Qixian Hall, Laifengxuan … … The general secretary walked all the way to think.

△ Sansu Temple

"A drop of water can see the sun, and a Sansu Temple can see the profoundness of our Chinese culture. We say that we should strengthen our cultural self-confidence, and China has ‘ Sansu ’ This is an important example. " The general secretary said with emotion.

From cultural self-confidence to road self-confidence, he said: "The Chinese nation has a long history of civilization of more than 5,000 years, and we are leading the people along the road of Socialism with Chinese characteristics. We must be good at learning the ideas and thinking of governing the country from the excellent traditional Chinese culture, and learn from all the outstanding achievements of civilization in the world. We must not be closed and rigid, and we must not take foreign things as the standard. "

The road of Socialism with Chinese characteristics came out under the guidance of Marxism, and it also came out from the history of Chinese civilization for more than 5,000 years.

At the recent symposium on cultural inheritance and development, the General Secretary of the Supreme Leader clearly pointed out: "Why is our socialism different? Why can it be full of vitality? The key lies in the characteristics of China, and the key to the characteristics of China lies in ‘ Two combinations ’ 。” “‘ The second combination ’ It is another ideological emancipation that allows us to make full use of the valuable resources of Chinese excellent traditional culture in a broader cultural space and explore future-oriented theoretical and institutional innovations. "

△ Interior of "Wenhan Pavilion" in the Central General Pavilion of China National Edition Pavilion. On the dome of the starry sky is an astronomical map of stone carvings in the Song Dynasty, which conveys the meaning of "Wenhan Pavilion": Chinese civilization is as vast and bright as the starry sky.

Chinese civilization endows Chinese-style modernization with profound connotation, and Chinese-style modernization endows Chinese civilization with modern strength.

In the decade of the new era, with the attention and guidance of the Supreme Leader General Secretary, China’s cultural and natural heritage protection has been developing continuously — —

China has 56 world heritages, ranking second in the world in total.

Up to now, China has identified more than 100,000 non-legacy representative projects at all levels. Forty-three projects are listed on the UNESCO Intangible Heritage List, ranking first in the world.

By the end of 2021, more than 2.7 million copies of ancient books had been registered, more than 3.85 million pieces of ancient books had been restored, and 17 national and industrial standards for the protection of ancient books had been formulated and promulgated.

At present, China has announced 140 national historical and cultural cities and 6,819 traditional villages in China; There are more than 36,000 immovable revolutionary cultural relics in China, and more than 1 million movable revolutionary cultural relics in state-owned collections.

Only by not forgetting the original can we create the future.

As the general secretary said: "The best inheritance of history is to create a new history; The greatest respect for human civilization is to create a new form of human civilization. "

On the new journey, the sons and daughters of China will strengthen their cultural self-confidence, take on the mission and work hard to create a new culture belonging to our time and build a modern civilization of the Chinese nation.

Producer: Geng Zhimin

Producer Xing Lai

Editor-in-Chief Ning Lili

Write Zhang Yanan.

Visual sense Jiang yuhang

1905 movie network news The epic film of national mythology is being well received. The director, starring actor, production designer Zhao Shouyi and voice guide zhaonan to Jinan Station, a national tour ceremony, to share behind-the-scenes stories about the relationship between Yin Shou and Master Wen, the props of mysterious birds at the enthronement ceremony, the voices of Lei Zhenzi, a dragon and a tiger and a glutton. The film is directed by Wu Ershan, starring ChristianRandPhillips, Chen Muchi, Na Ran, Wu Yafan,,,, Huang Xiyan, and Chinese’s own mythical epic, which should not be missed.

ChristianRandPhillips revealed the relationship between Yin Shou and Wen Taishi.

Young actors put their hearts and minds into performances.

The film "Feng Shen Part I" was directed by Wu Ershan, starring ChristianRandPhillips, Chen Muchi, Na Ran, Wu Yafan, Huang Xiyan and Shan Jingyao. production designer Zhao Shouyi and voice were used to guide zhaonan to communicate and interact with the audience. When each actor introduced himself, the audience gave warm applause and even shouted out the lines of the corresponding roles, which not only touched the actors, but also touched the director Wu Ershan: "There are many roles and stories in" Feng Shen I ",and each actor can impress everyone in a small performance space, especially the young actors are acting for the first time. I am proud of them."

In the ending egg of "Wen Taishi returns to the DPRK", new characters such as Wen Taishi, Deng Chanyu, and Magic Four Generals appeared, which made people shine. Many viewers were also curious about their relationship with Shang Wang Yinshou. ChristianRandPhillips said with a smile that "Wen Taishi will come back soon to avenge me". He introduced that Master Wen is the elder of Yin Shou and the only person he really fears, Deng.fairJade was brought back to Chaoge by Master Wen. Yin Shou had never seen it before, but he would make good use of these two people. Chen Muchi received a T-shirt with the second creation of "Master Wen returns to the DPRK" printed on the back, and said with a smile: "Master Wen should be at the noon gate of Chaoge City soon, and then he will slowly find that the two gluttons at the door are gone, Priestess of Death Bigan is gone, the Queen Jiang is gone, and the prince is killed, so as to see the truth of all this", which also makes the audience look forward to the plot of the second part.

Many viewers think that da ji, played by Na Ran, is very innovative in character setting and performance style, presenting a pure da ji as an animal. Na Ran was very happy to see the audience’s recognition of his acting skills, and said that all the motives of da ji’s actions were to repay the debt and survive. Director Wu Ershan also pointed out that in the movie, Queen Jiang, Yin Jiao and Bigan tried to kill da ji, the fox demon. She was only in a state of self-protection, and the core of evil was always Yin Shou, in fact, Yin Shou wanted to get rid of those who hindered his desires and ambitions.

Although there are not many scenes in the film, Su Quanxiao is an important scene that embodies proton setting and Yin Shou’s character. Shan Jingyao made a lot of preparations for this, including writing a particularly long biography of Su Quanxiao, and because he likes painting, he painted Su Quanxiao’s various situations and feelings for his family when he sang songs. For example, Su Quanxiao loathed his sister da ji and hated his father Su Hu’s decision to send him away, but he also knew that his mother was very much looking forward to his return home. By establishing these relationships, Shan Jingyao made himself believe in this character more and more. And his play also brought a lot of inspiration to Huang Xiyan. Huang Xiyan said frankly that it was more difficult to ponder after getting the script at first, because Jiang Wenhuan’s state of mind was different at each stage, and he continued to make progress. Later, he saw Su Quanxiao, played by Shan Jingyao, commit suicide on the set, and thought of the precious memories of a group of brothers getting along in the past few months. At that moment, he combined himself with proton Jiang Wenhuan through emotional substitution. Young actors put their hearts and minds into their performances, which undoubtedly touched countless audiences.

The props of "Xuanniao Shengshang" are from Weifang, Shandong Province.

Voice-guided analysis of biological voice of digital characters

The audience at Jinan Station, a national tour ceremony, loved "The First Part of Gods" and gave them good comments in succession. "A well-made masterpiece, with well-chosen actors, is full of stamina after reading it." "Sincerity is always the most touching thing, and I can feel the intention of the whole creative team. From now on, I am the tap water of Gods." "The second brush effect is even more shocking, and the crew can be felt from the drama, actors and art design.

The first part of "Feng Shen" brought many visual wonders to the audience, not only the special effects scenes such as hordes of troops and gluttony, but also the sacrificial scenes such as "Xuanniao Shengshang" in the enthronement ceremony, which was equally refreshing. Wu Ershan, the director, told the audience that the Xuanniao props were specially customized by the non-genetic person who found the display prop production designer Ji Zhaolong to tie a kite in Weifang, Shandong Province. Because the Xuanniao props were large, light and beautiful, the traditional craft of tying kites was adopted to solve the weight problem, and the main structure was tied with bamboo, and then covered with cotton cloth, so that the actors could hold and dance, presenting a mysterious ceremony in the Shang Dynasty.

As a mythical epic film, the first part of "Feng Shen" has thousands of Ma Benteng, thousands of arrows, thousands of people worshipping, and bloody wars and dances, which make the audience feel the immersive auditory impact. When talking about the challenge of sound production, zhaonan, the director of sound, said with emotion that this is a huge workload of sound. I still remember that director Wu Ershan said for the first time in the recording studio that "you need to build a mythical and epic world with sound". Zhaonan, the voice guide, introduced the voices of Lei Zhenzi, Dragon and Tiger and Gluttony to the audience. When Lei Zhenzi spread his wings, the wind thundered, and the audience could hear the thunder rolling, while he held Ji Changfei to Xiqiao, and the voice was mixed with the voice recorded by the dynamic capture actor Pengyi Han, reflecting human emotions. The dragon-bearded tiger is a symbol of justice, and its call mainly uses sperm whales, and it combines the flowing, curved and rhythmic timbre of other whales. The two gluttons in the movie were originally clay sculptures, so they used the twisted sounds of wood, stones and grass sticks to represent their cries. When the gluttonous man jumped off the Yellow River with Ji Fa, the voice guide zhaonan made a contrast between the gluttonous cry and the roar of the Yellow River, hoping to make the audience feel more powerful with the surging momentum of the Yellow River, the mother river of the Chinese nation. I believe that everyone who walks into the cinema can enjoy a thrilling audio-visual feast.

The film "The First Part of Gods" is directed by Wu Ershan and starred by ChristianRandPhillips, Li Xuejian, Bo Huang, Yu Shi, Chen Muchi, Na Ran, this sand, Wu Yafan, Xia Yu, Yolanda, Wang Luoyong, Hou Wenyuan, Huang Xiyan, Li Yunrui, Yang Le and Chen Kun. The film is being shown.