Wei Minzhou, member of the Standing Committee of Shaanxi Provincial Party Committee and secretary of Xi ‘an Municipal Party Committee, and Du Hangwei, vice governor, went to the scene to direct the disposal and rescue of the wounded.

　　Xi ‘an Net News: At about 12: 40 on April 28, a long-distance bus with the license plate number Shaanxi AG7597 caught fire 200 meters in front of the lawn tunnel in Lantian section of Fuyin Expressway, causing 8 deaths and 5 injuries. After preliminary investigation by the public security organs, it was a criminal case of hijacking and arson. After receiving the report, Wei Minzhou, member of the Standing Committee of the Provincial Party Committee and Secretary of the Municipal Party Committee, Du Hangwei, Vice Governor, and Shangguan Jiqing, Mayor, rushed to the scene immediately to direct the disposal and rescue of the wounded.

　　Wei Minzhou, Du Hangwei and Shangguan Jiqing made arrangements for the treatment and rehabilitation of the wounded after on-site inspection and listening to the relevant situation of the case. First, immediately organize health, public security, fire protection, transportation and other departments to carry out rescue, at all costs, do their best to rescue the wounded and do their best to minimize casualties. Second, the public security department immediately set up a task force to fully investigate the case. The third is to properly do a good job in appeasement and rehabilitation of the families of the casualties, and timely announce the medical treatment and case investigation to the public. The fourth is to strengthen social prevention and control and maintain social security and stability.

　　At present, the case is under investigation, traffic has been restored, and various aftermath work is being carried out in an orderly manner.

　　Liu Chunyan, Deputy Secretary of the Municipal Party Committee, Lv Jian, Ren Junhao and Huang Haiqing, leaders of the city, relevant municipal departments and the principal responsible comrades of Lantian County attended the on-site disposal.

　　How to save yourself when a long-distance bus fires.

　　Before introducing all the survival knowledge, we should focus on the cliche that you should fasten your seat belt at all times as long as you are in the car, because the seat belt is the most effective safety facility whether you are hit at rest or while driving. In addition, it is suggested that everyone should abide by traffic laws and regulations, not speeding or driving illegally, and minimize the chance of accidents. It is best to have no place to display survival skills.

　　At present, there is little information about how to save yourself in a car accident in China, which can be said to be very imperfect, and there is no relevant department to publicize and educate everyone how to deal with it when a car accident occurs.

　　First of all, let’s start with self-help. If a vehicle has an accident, there are usually the following situations: two vehicles collide when driving relatively, and a bicycle rear-ends other vehicles or hits a fixed object, or rolls over and rolls over after being hit by other vehicles. How to save yourself after the car rolled over after the accident, please look down.

　　If you first determine whether you are seriously injured after a collision, and if you are in good health, you must try your best to get out of the car. First of all, you must try to escape by opening the door, but in most cases, the car body is damaged after the collision, and it is difficult to open the door and the car body. If you can’t open it several times, you must choose to break the window.

　　How to escape when the people in the car are not injured, but after the accident, the members in the car will be hurt more or less, and they can’t do their best in the case of physical injury, so I suggest you try to escape by opening the car door first. If any glass is broken by impact, that’s your escape exit. And if all the glass in the car is intact and the door can’t be opened normally, then escape by using tools in the car or breaking the glass.

　　A traffic accident claimed 36 lives. At about 2: 40 am on August 26th of a certain year, a serious traffic accident occurred near Huaziping service area in Ansai County section of Baomao Expressway in Yan ‘an City, Shaanxi Province. A double-decker sleeper bus collided with a large tanker (filled with methanol) and the two cars caught fire. A total of 36 people were killed in the accident, and only three people escaped from the accident.

　　In recent years, long-distance bus accidents have increasingly entered the public’s field of vision, and every tragic accident has knocked on the fragile mind of reality. When we delve into the loopholes in the system and the lack of management, we should strengthen our own fire safety awareness. Strong desire for survival and skillful escape skills can make us more calm in the face of terrible accidents. When you escape, you can also save the lives of others.

　　In the accident, the bus was embedded in the tanker for about 2 meters, and the door on the right front side of the car body could not be opened. In the design of the bus, there was only one front door. The car is closed except for the last two windows. In this accident, the fire developed rapidly, and the methanol leaked from the tanker in the accident will burn quickly when it meets an open flame in the air. It is understood that the fire surrounded the whole car two minutes after the impact, and the bus at this time has become a "human purgatory." The time left for passengers to escape in this accident is only two minutes, and we can’t know what the 36 dead people were thinking in the last two minutes of their lives.

　　The dead are long gone, and the living are often sad. We should know and learn how to escape from a burning accident car.

　　Cctv news(Reporter Gao Shijia): On April 17, the National Bureau of Statistics released the GDP data for the first quarter of this year. In the first quarter, the gross domestic product (GDP) was 20,650.4 billion yuan, which was 6.8% lower than the same period of last year at comparable prices, showing the first negative growth for many years. The sudden COVID-19 epidemic has had a great impact on China’s economic operation. How should we view the growth of -6.8% in the first quarter? What is the future direction of the real economy and capital market?

　　For example, Guan Qingyou, president of the Financial Research Institute and chief economist, believes that the negative growth of 6.8% truly reflects the impact of the epidemic on the domestic economic operation. The bottom of the economy has been confirmed throughout the year, and the worst period has passed. After the data is released, both macro policies and enterprises can go into battle lightly, and the space and rhythm of policy operation will be more clear. Corporate bail-out and people’s livelihood assistance will be the focus of future macro policies. At present, both enterprises and individuals should keep the bottom line thinking, lower expectations and ensure cash flow and basic rate of return. China’s economic resilience is still there. If we remain optimistic, it will be even better next year.

　　This year’s economic bottom has confirmed that the worst is over.

　　CCTV reporter: How do you view the negative economic growth of 6.8% in the first quarter?

　　Guan Qingyou:The growth in the first quarter was -6.8%, which was basically determined to be the bottom of the whole year from the data. The data in March has rebounded from the previous month, and the data in the next second quarter will definitely be better than that in the first quarter.

　　-6.8% is a realistic data. On the one hand, it reflects the actual impact of the epidemic on economic operation, suggesting that we must attach great importance to the sharp economic decline, support enterprises to bail out, stimulate consumption, and release vitality through reform. On the other hand, if the impact of the epidemic is clarified, macro policies and enterprises can go into battle lightly, clarify the space, intensity and rhythm of policy operation, stabilize employment and stabilize the basic market.

　　Of course, it must also be noted that the statistics reflect the basic situation and there is also a "survivor bias". In many fields and industries, the actual impact is more serious, and it is indispensable for enterprises to save themselves. Under the current domestic macro-policy space, it is very urgent to start with factor reform and stimulate a new round of growth vitality.

　　Objectively speaking, China has great room for economic growth and strong resilience. As long as we think correctly and take proper measures, China will surely recover fastest and best among the major economies in the world. In the long run, China’s economic growth potential is still great, which is unique among the major economies in the world.

　　CCTV reporter: What impact will the global epidemic spread have on China’s economy? Has the worst of this year passed?

　　Guan Qingyou:The spread of global epidemic will also have an impact on transportation, shipping and international trade in the future. Epidemic prevention and control requires global cooperation and joint efforts. We should also be mentally prepared to deal with the impact of the epidemic for a long time. It can be said that the current world is in a great change that has never happened in a century. Apart from the economy, we should be aware of the subsequent changes in the world economic order and political order.

　　The biggest impact of this epidemic — — The period of economic shutdown has passed. At present, China has started to focus on epidemic prevention and control, and at the same time, to resume work and production. Although the subsequent chain reaction still exists, it will be expected.

　　Personally, I think the worst of this year has passed. Although a large number of enterprises may be eliminated because of the epidemic, it is cruel, but the crisis is organic, and at the same time, more new formats, new business models and new technologies will be born, and the process of coping with the crisis is also an opportunity to make up for shortcomings and promote reform. It is now easier to reach a consensus on deepening reform, speed up the search for new kinetic energy for economic development, and release new reform dividends.

　　2020 will be an asset year with many structural opportunities.

　　CCTV reporter: What do you think of the capital market this year?

　　Guan Qingyou:The economic data of the first quarter and the quarterly report of listed companies have been released one after another, which is a bad thing for the capital market as a whole.

　　Personally, I am very optimistic about this year’s market. Because the first half of the year is definitely in a bottom area, with the announcement of the first quarterly report of listed companies, the impact of the epidemic on enterprises is gradually clear, and the expectations are clear. From the perspective of the capital market, 2020 will be an asset year.

　　This year’s macro policies are relatively restrained, and there will be no flooding and no unexpected easing. Therefore, the overall index of the stock market will not rise sharply as in 2015, but there will be many structural opportunities. This year, we mainly look at sectors and individual stocks, not the overall index. Many sectors have been greatly affected by the epidemic in the short term. After the shock, prices and valuations are more matched, and assets with higher cost performance have more opportunities to buy.

　　At this time, the anti-risk ability of leading enterprises with relatively stable performance will be highlighted, and the leading effect of "the strong will remain strong" will continue. There are also many consumer sectors that have been significantly affected by the epidemic. The short-term decline in performance is relatively severe, but the cost performance will increase, and there is room for growth in the future, which is an opportunity to buy. Opportunities for technology stocks mainly depend on whether there are independent core technologies, and enterprises with low added value in the industrial chain at both ends will have high anti-risk ability, which requires in-depth analysis and identification by investors.

　　CCTV reporter: How do you assess the impact of this epidemic on the industrial chain of the real economy?

　　Guan Qingyou:The reconstruction of the global industrial chain under the influence of the epidemic is certain, but it is still uncertain how strong it is.

　　I have a deduction conjecture. Looking at the extended cycle, the state of globalization can be divided into three cycles. The first cycle is 1945— In 1991, from the end of World War II to the disintegration of the Soviet Union, this stage was the formation of two camps and two parallel markets in the East and the West. The second cycle is 1991— In 2016, with the expansion of globalization and the gradual formation of a unified global market, China gradually integrated into the world and became the world’s factory. Many countries, including China, benefited from globalization and developed rapidly. The third cycle began in 2016, with Trump being elected as the president of the United States as the node. The degree of anti-globalization has deepened, or semi-globalization and regionalization have become more obvious. The economic ties between countries in the world will not be cut off, but the overall situation is much weaker than before.

　　According to this calculation, from 2016, this state will continue for decades in the future. If the deduction comes true, it will be a very regrettable scene. China must also learn to face the new economic order and rethink the future development strategy.

　　Corporate bail-out and livelihood assistance will be the focus of future policies.

　　CCTV reporter: What are your expectations for future macro policies?

　　Guan Qingyou:This year’s macro policy should focus on corporate bail-outs and people’s livelihood assistance. To bail out enterprises, we should not only have quantitative tools, but also have price tools. If the interest rate is only cut between the central bank and financial institutions, it is likely to form financial idling. Therefore, it is necessary to directly reduce the loan interest rate to solve the problem of financing difficulties and expensive financing for SMEs. On the issue of enterprise bail-out, financial institutions need to make profits to small and medium-sized enterprises, and gradually realize the marketization of interest rates in this process. Only by allowing thousands of small and medium-sized enterprises in Qian Qian to survive as much as possible can we solve the employment problem and stabilize the basic market.

　　With regard to people’s livelihood assistance, the key point is to prevent a humanitarian crisis, and to increase assistance subsidies for the unemployed and needy groups. For example, the issuance of consumer vouchers is very good. Based on our basic national conditions, it is targeted to low-income groups, difficult groups and unemployed groups.

　　CCTV reporter: Which risk is greater, economic inflation or deflation? How should individuals deal with various risks?

　　Guan Qingyou:Now there are two States: inflation from CPI and deflation from PPI. So now the economy is in an atypical stagflation state, and the situation is more complicated. But we might as well jump out of the framework of western textbooks and return to traditional Chinese wisdom — — In the year of great disasters and epidemics, you are frivolous and have a rest.

　　It is necessary for ordinary people to tighten their belts and reduce unnecessary expenses. This is a passive response. Furthermore, try to hold assets that are less affected by inflation or deflation, such as holding money in deflation and holding assets in inflation. As for how long it will last, investors need to strengthen their own learning and have a basic understanding and judgment of the status quo.

　　Investment risks are great, especially in the complicated period. For individuals and families, the most important thing is to stabilize cash flow. Ordinary people should lower their income expectations, such as investing in some sound bank wealth management products. We should have a bottom line thinking, constantly improve our cognitive ability and professional level, and have our own core competitiveness. There is no point in being pessimistic now. Next year will definitely be better.

Author: fried hawthorn with sugar

Reprinted source: a little drama reading (ID: yidianjd)

What will the director look like if he can shoot an online drama like "Reverse Life" that makes people laugh from beginning to end?

Before the interview, a little drama read countless times to imagine this problem. Especially when I saw his resume from a dancer to a drama actor, and transformed into a drama director, a TV column director and a film and television drama director, my heart was actually a little uneasy. In previous media reports, he is a "male classmate with stories" and a representative of "obviously relying on face but relying on talent to eat".

Chen Chang is really busy, and this kind of "busy" can also be understood as a bumper harvest.Reverse Life will end tonight.Previously, the dual-platform webcast volume of the drama has exceeded 700 million, and the Tik Tok broadcast volume is 660 million, ranking among the little dark horses; A female emotional drama directed by him"Their Counterattack" was also officially announced in May and will be launched soon.. He himself is busy at the shooting scene of Love.This is another urban emotional drama created by Ning Meng Film.

The interview was conducted in the evening after the filming, and then he had to join a new round of meetings. The most obvious feeling is that, unlike "I like you" and "Reverse Life", which give people a sense of laughter, there are quite a few brain holes. Director Chen Chang is more rational and true, and he believes in the natural precipitation in his exploration and experience.

After entering the film and television industry for nearly ten years, he bluntly said that he was only a "primary school student." He devoted himself to exploring the fusion proposition of romanticism and realism, and permeated all his works with emotion; He admits that happiness is regarded as one of his film and television styles, but he also says that he doesn’t deliberately choose scripts with happiness elements. It’s just that the experience of nearly 20 years has made happiness something engraved into his bone marrow and blood, which will be loaded naturally when filming.

But life in reverse is slightly different for him.Here’s a new attempt that he "hasn’t done before and may not do in the future".And with "Reverse Life", we will also enter the "reverse life" belonging to director Chen Chang.

Reverse life: in the constant movement,

Cultivation of "Young Directors"

"Dance doesn’t seem to be a particularly long road";

"I took several plays and found that the actors at that time were very passive";
Drama is bitter and the pay is not much, but you need to support your family.

Chen Chang summed up his several leaps in just three sentences, from dancing to actors to drama actors. At a very young age, his thinking is very realistic and mature. From the public information, it was in 2004 that he became a director of TV programs, which was about 27 years old.

Drama, TV programs and film and television dramas constitute his work experience for nearly twenty years. The first two have alternated for ten years, and now he has also stayed in the field of film and television dramas for ten years.

Chen Chang became attached to the film and television drama, mainly thanks to the guidance of well-known producer Jiang Yiting. In 2017, the two collaborated on the realistic theme "Accompanying Mom", which attracted a high degree of market attention. In his memory, when he first entered the film and television drama market, he actually didn’t adapt: compared with drama, the shooting volume of TV drama is larger, and its time cost also requires the director to respond quickly. At that time, the pressure will be greater.

It was not until "Newly Married Apartment" in 2015 that everything got a little better. The theme of sitcom made him gradually find the feeling of filming TV dramas, and he also began to integrate his experience on the stage of drama and apply it to the filming of TV dramas.For example, he will pay more attention to the actor’s lines and the tension in the actor’s performance.

Another exampleHe likes to use drama actors more and more in TV plays.Take Reverse Life as an example. Wu Yaheng, the actor of Li Qinghua, the director of my injustice, and Liang Chao, the actor who envies countless people, are all actors who have cooperated with him many times and have rich experience in stage performances.

Zhongzhong Yu, the director, is another person he mentioned, and Chen Chang called him a "close friend" and a "teacher". "Teach me a lot of shooting skills and methods, is Zhongzhong Yu.I am committed to being an idol drama director with a sense of life. I want to make some film and television dramas that combine romanticism with realism, and romanticism is derived from such a person. ". The two also co-directed many film and television dramas, such as The Master of Composition.

Constantly accumulating and groping, the time is 2020.Chen Chang handed over his masterpiece: I like you.Although the film version of Zhuyu was in the first place, once the play was launched, it quickly triggered a real fragrance effect and quickly swept the network. Last year’s "Good Words and Freehand brushwork" also achieved remarkable results.

Continuously handing over high-quality masterpieces, Chen Chang is also known and loved by more young Internet audiences. And his past experience was also called by the media."Male students with stories"However, in Chen Chang’s view, this frequent change is not to change the track, but to complement each other."Every changing stage is ultimately integrated".

Just as the study of dancing and drama can be brought into play in the direction of TV columns, the drama experience is also becoming an important nutrient in the process of directing his film and television dramas. "Reverse Life" is the "atypical answer sheet".

Reversing the new idea: starting with the actor,

Breakthroughs standing on the "leveling line"

Chen Chang is always calm and has no taboo.

When talking about "I like you" in 2020, he once bluntly said, "Not losing movies is my most basic requirement for myself"; In 2022, "Reverse Life" was broadcast. In view of the film-and-television discussion of body exchange, Chen Chang also bluntly said: In the past, film and television dramas were just the "leveling line". We can’t go below the leveling line, but we should go up.

"This (body exchange) is not the theme of a rotten street. Until today, I also think that this play has a certain freshness."Chen Chang stressed. How to make "Reverse Life" new?

Chen Chang put the most critical point on the control of actors’ performances.There are often body exchanges in film and television dramas, but how to grasp the unique sense of freshness belonging to the campus of this drama and make the whole drama "fresh and interesting first, then sweet and warm", sweet but not greasy, needs to be achieved through the performance of actors.

He always has his own insistence on the choice of actors, such as Lin Yushen’s overwhelming opinion in "I like you" and "Reverse Life". From the beginning, he was determined to choose "raw face".He set four criteria: first, it is consistent with the role of the script; Second, the actor’s image is clean and pure; Third, have enthusiasm for the role; Fourth, actors should not have too heavy personal labels.

During the audition, Chen Chang took a fancy to Ma Sichao (played by Qiao Nan) at a glance. "He is clean and pure, with light in his eyes and enthusiasm for the role. He has the feeling of being a boy’s grandfather and the shyness of a girl. " The image of Zhou’s long hair on the first side is also amazing to Chen Chang, which is quite different from the previous temperament of "vigorously charming", and her speech is indeed somewhat boyish.

In this way, the two most important actors are sure. In order to help them find the role of Mu Xiang in the play as soon as possible and feel different from Qiao Nanshi, Chen Chang spent a lot of time: for example, let them perform "proofing" for each other, and at the same time interview some male and female staff on the cast to find performance inspiration.

Chen Chang doesn’t think that there must be an important node to witness the actor’s "enlightenment", which should be a gradual process.And when he saw "Qiao Nan" still played by Zhou put his hand on the taekwondo players and jumped up to say hello to "Mu Xiang" played by Ma Sichao, he felt that everything was right at that moment.

The group image of "no instrumental villain" is an important reason why many viewers think this drama is eye-catching.An interesting point,Different from the "unfamiliar face" of the leading role, there are a large number of mature actors familiar to the audience in the supporting role, which also balances the market awareness of the cast to some extent.

Speaking of group image-building, in Chen Chang’s view, the protagonist should undertake the narrative function. In contrast, the script space of the supporting role is limited, but the performance space is relatively large. "They don’t have to bear too many logical lines, but there are often some places where inspiration breaks out," he explained.

In the play, Li Qinghua, the director of injustice, and Qiao Yuanshan, the "super brother" Qiao Rui, who have a traditional sense of China’s father’s sight, have deepened the audience’s memory because of the contrast of the character setting itself, the plump characters and their own sense of joy. In particular, "Li Qinghua" and Chen Chang collided with each other on the spot, resulting in a hilarious scene of "the sad monument is so cold".

From the leading role to the supporting role, it constitutes a "new character".

Reverse life: the comedy buff is full,

Why is it an "atypical answer sheet"?

The second key to making a new idea is Chen Chang’s integration with bone and blood:Happy feeling. The typical comedy situation of body exchange also gave him more room to play.

For many years, Chen Chang has always insisted on injecting certain joyful elements into film and television dramas, making them the nourishment of content and synthesizing some "hostility". Even in his view,This joy is not limited to any subject.This is also reflected in his previous dramas such as "I like you".

The filling of joyful elements in film and television dramas is compared by him to a process of constantly "filling holes", which is to put new soil into the space left by scriptwriters.It’s just that "Reverse Life" has a little more space, almost 50%.The joining of the new generation of actors is also a "plus item" to strengthen the drama’s happiness: they have more time to ensure the shooting and rehearsal of the crew, because "comedy needs rehearsal."

"You have to do your homework the day before shooting, take your books, adapt to the whole scene during shooting, and rehearse those lines with the actors, including the establishment of baggage, and so on. Because the rhythm of comedy is a little stronger than that of ordinary drama, and then it is a little bit dead.Comedy looks casual, but it is a very certain art.",Chen Chang explained.

Sometimes, Chen Chang will also demonstrate on the spot.He needs actors to follow their own rhythm in the formation of baggage, but at the same time, they should also find the characteristics of actors themselves to blend in and form some chemical reactions together.As for how much joy each actor can finally give, he is "tolerant": teaching by hand, and then editing, can be adjusted.

In fact, it is not interesting to disassemble the creative process of the sense of joy itself, because for Chen Chang, this keen sense of joy is more due to his work experience and the usual accumulation, and will naturally be brought out when needed.

The experience of the drama stage made it easier for him to open his imagination; At the same time, he will continue to draw nutrients from film and television dramas and internalize them into his own things. But in his opinion,Everything can be expressed with joy, but it should also be based on life and emotion, and cannot be suspended.

Just like the scene of Qiao Nan’s "glow under his arm" in "Reverse Life", it must be ironic, but in Chen Chang’s mouth, maybe the creator only saw the glass reflection at first. However, this relatively "grandiose" lens language skillfully magnifies the joyful elements of TV dramas. This is actually the image style customized by Chen Chang for the play.

And so on, there are scenes in which two protagonists talk to their hearts, dialogues of characters under the curtain, etc., all of which highlight the actor’s self-expression through concrete or spare space. These in themselves are in line with the fantasy theme of body exchange, "it has never happened before, and it may not happen in the future."

Although Chen Chang is too busy to catch up with "Reverse Life" episode by episode, he is also actively accepting feedback from the market. For those bugs that were only realized after watching the barrage, he accepted it frankly:To some extent, that is the "necessary price" for comedy exaggeration.

The "atypical" in "Reverse Life" is his insistence on actor selection, and also his buff in joy and fantasy; However, this drama is a typical "Chen Chang’s Works", which absorbs a lot of nutrients from the past drama experience, and the discussion of emotions also runs through: the core of comedy fantasy is the theme of mutual redemption and common growth, and at the same time it is permeated with the discussion of practical issues such as family of origin and personal values.

"Pupils" Chen Chang:

Experience will refine nutrients, and I want to shoot brotherhood.

Chen Chang’s next work, Their Counterattack, is a typical female emotional drama, but also a completely different style from Reversing Life.He bluntly said that the most attractive thing about this drama is the sense of independence in every woman.

Although Chen Chang doesn’t feel that his works are diverse, butHe is really trying all kinds of subjects.. Compared with most people, he is not willing to emphasize the so-called "self-style" too early. He believes in natural precipitation and that time experience will naturally extract nutrients.

Just as the experience of drama and TV programs will become his nutrition now, so will the film and television drama shooting itself."Just like shooting an idol drama at the beginning is to’ have beautiful lights, beautiful atmosphere and beautiful characters’, you will gradually find that you need to be grounded, and you should start from the perspective of life and tap the interest from life."For example, Chen Chang said that this is what he will continue to integrate and bless in the future.

In his view, the development of style is not a day or two of sudden enlightenment, but a step-by-step formation of their own shooting habits and creative habits, and then summarized.This is a process of constant maturity, and he believes that even if he returns to drama or TV programs again, he will also have new experience in film and television drama production to learn from.

At present, he just wants to go down the road of TV series. He wants to try a theme that focuses on brotherhood like Genesis, and also wants to try a realistic theme with black humor like I am Yu Huanshui. Walking slowly step by step, he will eventually reach the peak he wants. And we are looking forward to more high-quality works and meeting the audience as soon as possible.

CCTV News:The rendezvous and docking of the Mengtian experimental module and the space station assembly can be said to be the space "handshake" of the two spacecraft with the largest mass in China’s manned spaceflight project, and the control difficulty is obviously increased. To this end, researchers have also come up with many ways to enable them to "shake hands" steadily in space.

This time, the Mengtian experimental module will rendezvous and dock with the space station assembly, which can be said to be the most "powerful" space handshake in China’s space history. The Mengtian experimental module weighs 23 tons, while the space station is a "four-module" combination consisting of Tianhe core module, candlestick experimental module, Shenzhou-14 manned spacecraft and Tianzhou-4 cargo spacecraft, with a total weight of more than 60 tons. In order for these two behemoths to complete rendezvous and docking, they must "shake hands steadily" and minimize the impact force between them.

Liang Xiaofeng, overall chief designer of space station system electricity of the Fifth Academy of Aerospace Science and Technology Group:In order to overcome the impact of large impact on equipment during docking, in fact, some special designs and damping designs have been made in rendezvous and docking to adapt to large-tonnage and large-mass rendezvous and docking. In the whole docking process, the relay is slowed down or reduced to protect the whole docking mechanism and reduce the impact on the whole assembly and equipment.

Another big test of this rendezvous and docking is that the Mengtian experimental module carries two huge solar panels, which are not only large in area, but also made of flexible materials, just like carrying a pair of huge "soft wings" for rendezvous and docking, and the control difficulty can be said to be unprecedented. To this end, researchers also designed a set of solar array deployment scheme for Mengtian experimental module, which improved the controllability and ensured the safety and success of the mission.

Chao Luo, the overall designer of the space station system of the Fifth Academy of Aerospace Science and Technology Group:When we docked, the solar wing kept shrinking and flying. After docking, we completed the second deployment of the solar wing.

Space "holding hands" is difficult, and multiple measures are taken to ensure success.

The Mengtian experimental module is similar to the candlestick experimental module launched three months ago, but the rendezvous and docking process is "difficult" and "difficult". In order to solve these problems, researchers have designed a large number of plans and measures to ensure the final success of the rendezvous and docking.

According to reports, the first difficulty of this rendezvous and docking is that after the Mengtian experimental module is in orbit, there is a big deviation from the angle of the sun, which leads to weak power generation capacity of solar panels and energy shortage. If the rendezvous and docking cannot be completed within the specified time, it is necessary to urgently adjust the posture of "Mengtian" towards the sun to replenish energy, which will lead to the delay of rendezvous and docking time. To this end, researchers have specially formulated a failure plan for the rendezvous and docking mission for "Mengtian".

The second difficulty lies in the goal of this rendezvous and docking — — On the space station assembly. In the last rendezvous and docking, the combination was in a symmetrical configuration, but in this rendezvous and docking, the combination was in an L-shaped asymmetrical configuration, which significantly increased the difficulty of the on-orbit attitude control of the space station.

Chao Luo, the overall designer of the space station system of the Fifth Academy of Aerospace Science and Technology Group:Pitch offset is adopted at a certain angle, which can save a lot of propellant and effectively use space torque. Then, when the Mengtian module enters the final translation and convergence section, the pitch angle will be adjusted to a completely horizontal state to wait for the rendezvous and docking of the Mengtian experimental module.

In addition, when Mengtian approaches the assembly, it is necessary to start the reverse thrust engine to slow down, and the plume of the engine will interfere with the attitude of the assembly, which makes it more difficult to dock the Mengtian experimental module with the space station at the last minute. However, under the "careful design" of scientific researchers, Mengtian experimental module accurately identified the relative distance and posture with the space station assembly, and finally achieved high-precision rendezvous and docking through a little approach.

Three-type solar wing provides abundant energy for China Space Station.

After the docking and transposition of Mengtian experimental module and China Space Station, China Space Station will form a T-shaped configuration, and China Space Station will also use three different solar wings at the same time.

During the planning and design of China Space Station, researchers developed three generations of solar wings according to the characteristics and needs of different cabins, each with its own characteristics. Shenzhou manned spacecraft uses the first generation of rigid solar wings, and Tianzhou cargo spacecraft uses the second generation of semi-rigid solar wings.

Liu Bihai, deputy director of the power supply of the Mengtian experimental cabin of the Space Station of the Eighth Academy of China Aerospace Science and Technology Corporation:In the first generation, we used a rigid substrate, which was made of carbon fiber and aluminum honeycomb, and its volume was relatively large. On the basis of the further improvement of the original power demand, our cargo ship uses the second generation semi-rigid solar wing, which uses a carbon fiber frame and a glass fiber net, just like a tennis racket, greatly reducing the weight of the whole solar wing.

Compared with shenzhou spaceship and cargo spacecraft, the two experimental cabins of the space station are very large. At the same time, the experimental cabin also needs to carry a large number of cabinets to complete a number of on-orbit experiments, which consumes a lot of electricity. To this end, researchers have specially developed the third generation of flexible solar wings to ensure the electricity demand of the experimental cabin.

Liu Bihai, deputy director of the power supply of the Mengtian experimental cabin of the Space Station of the Eighth Academy of China Aerospace Science and Technology Corporation:At present, the solar wing used in Mengtian experimental module is our third generation solar wing, which is called flexible solar wing. It has the characteristics of light weight, long life and high power. The power generation capacity of two solar wings in a single cabin is about 18 kilowatts. Generally speaking, the power generation capacity of my single experimental cabin in a dream day can be used by a family of three for three months.

After the combination of Tianhe, Zhentian and Mengtian, the daily power generation of the space station can reach nearly 1000 degrees, making the Chinese space station truly "worry-free".

A new generation of solar wings empowers "dream days"

A new generation of flexible solar panels adds new impetus to China Space Station. What is this flexible solar panel like? What are the characteristics? Follow the reporter from the reception desk to have a look.

General Station reporter Chen Qingbin:The electric energy converted from solar energy is the energy source of spacecraft in orbit. What is different from ordinary spacecraft is that on the Mengtian test module launched this time, it is such a pair of "soft wings" behind me — — Flexible solar panels. As you can see, the veneer of this solar panel is less than 1 mm thick, which can be described as "as thin as paper", and there are many small mirrors with dark blue glass on it. Each small mirror is like a small space power station, which is connected in series and in parallel to form a solar cell array to provide a continuous energy guarantee for the spacecraft.

The solar panels of Mengtian experimental module adopt the latest generation of solar array technology in China — — The flexible triple junction gallium arsenide solar cell array is composed of hundreds of thousands of flexible solar cells. The weight per unit area of these flexible solar cells is only 50% of that of traditional solar cells, but the photoelectric conversion efficiency has been greatly increased.

Su Bin, Head of Solar Array Project of Space Station of CLP Energy Co., Ltd.:The conversion efficiency of triple junction gallium arsenide solar cells is more than twice as high as that of traditional ground silicon cells.

In order to ensure the on-orbit life of the space station, the research team continued to develop high-voltage flexible solar array technology, and completed more than 80,000 high-and low-temperature cycle tests to ensure the structural stability and flexibility of the solar array. It is expected that the design life of the low-orbit solar array will be improved from 5 years to 15 years.

It is the basic principle of Marxism that the world moves and changes forever. In the world, the only constant is change, and only change can lead to a way out. Change is an important means for mankind to promote economic and social development. Looking back on the course since the reform and opening up, every major change has injected new vitality into the development of the party and the country and added a strong impetus to the cause. The cause of the party and the people is to move forward in deepening reforms.

The Central Economic Work Conference proposed that in 2018, we should "vigorously promote reform and opening up, innovate and improve macro-control, and promote quality change, efficiency change and power change". 2018 is the 40th anniversary of reform and opening up. In this special year of reform and opening up, the central government put forward "three major changes" in quality, efficiency and motivation, which are important contents of comprehensively deepening reform in the economic field and provide an important starting point for economic work in the key period of transforming development mode, optimizing economic structure and transforming growth momentum.

Quality change focuses on the change of development quality in all fields and links of the national economy. China’s economy has shifted from a high-speed growth stage to a high-quality development stage. The change of development quality is not only the change of product and service quality, but also the all-round quality improvement from concept, goal and system to work details in specific fields. Especially in the manufacturing industry, we should pay attention to improving the quality of the whole manufacturing industry, developing advanced manufacturing, increasing effective and high-end supply, optimizing the quality of the supply system, promoting the transformation from China manufacturing to China creation, from China speed to China quality, and from a manufacturing power to a manufacturing power.

Efficiency change focuses on the change of development efficiency in response to market competition. Improving total factor productivity is the key to efficiency change. Efforts must be made to remove all kinds of institutional and institutional obstacles that restrict the improvement of efficiency, so that the market can play a decisive role in resource allocation and better play the role of the government, stimulate the vitality of enterprises, improve the relationship between supply and demand, and improve development efficiency. Focus on "breaking", "establishing" and "lowering", vigorously break the ineffective supply, promote the resolution of excess capacity, vigorously reduce the cost of the real economy, reduce institutional transaction costs, continue to clean up the fees charged by enterprises, and increase the investigation and rectification of arbitrary charges. Especially in electric power, petroleum, natural gas, railway and other industries, it is necessary to deepen the reform of market-oriented allocation of factors and reduce energy consumption and logistics costs.

Dynamic change focuses on the change of the development momentum of building a modern economic system. In the process of building a modern economic system, faced with the transformation of old and new kinetic energy of development, how to stimulate the vitality of various market players is an important issue. We should strengthen scientific and technological innovation, promote innovation incentives, form an environment conducive to innovation, vigorously cultivate new kinetic energy, promote the optimization and upgrading of traditional industries, cultivate a number of vanguard enterprises with innovative capabilities, and actively promote the in-depth development of integration of defense and civilian technologies. We should implement the policy of protecting property rights and identify and correct property rights disputes that have been strongly reflected by the society according to law. Fully implement and constantly improve the negative list system of market access, and get rid of discriminatory restrictions and various hidden obstacles.

Change is not unprincipled change, nor is it irregular change. Change and invariance are dialectical unity. Quality change, efficiency change and power change must comply with the correct principle requirements, that is, we must fully implement the spirit of the 19th Party Congress, take the economic thought of Socialism with Chinese characteristics, the supreme leader in the new era as the guide, strengthen the Party’s leadership over economic work, adhere to the general tone of striving for progress while maintaining stability, adhere to the new development concept, and closely follow the major contradictions and changes in our society. In this way, the "three major changes" in quality, efficiency and motivation can be changed more forcefully and orderly, and China’s economy can continuously make new progress in achieving high-quality development.

It is the basic principle of Marxism that the world moves and changes forever. In the world, the only constant is change, and only change can lead to a way out. Change is an important means for mankind to promote economic and social development. Looking back on the course since the reform and opening up, every major change has injected new vitality into the development of the party and the country and added a strong impetus to the cause. The cause of the party and the people is to move forward in deepening reforms.

The Central Economic Work Conference proposed that in 2018, we should "vigorously promote reform and opening up, innovate and improve macro-control, and promote quality change, efficiency change and power change". 2018 is the 40th anniversary of reform and opening up. In this special year of reform and opening up, the central government put forward "three major changes" in quality, efficiency and motivation, which are important contents of comprehensively deepening reform in the economic field and provide an important starting point for economic work in the key period of transforming development mode, optimizing economic structure and transforming growth momentum.

Quality change focuses on the change of development quality in all fields and links of the national economy. China’s economy has shifted from a high-speed growth stage to a high-quality development stage. The change of development quality is not only the change of product and service quality, but also the all-round quality improvement from concept, goal and system to work details in specific fields. Especially in the manufacturing industry, we should pay attention to improving the quality of the whole manufacturing industry, developing advanced manufacturing, increasing effective and high-end supply, optimizing the quality of the supply system, promoting the transformation from China manufacturing to China creation, from China speed to China quality, and from a manufacturing power to a manufacturing power.

Efficiency change focuses on the change of development efficiency in response to market competition. Improving total factor productivity is the key to efficiency change. Efforts must be made to remove all kinds of institutional and institutional obstacles that restrict the improvement of efficiency, so that the market can play a decisive role in resource allocation and better play the role of the government, stimulate the vitality of enterprises, improve the relationship between supply and demand, and improve development efficiency. Focus on "breaking", "establishing" and "lowering", vigorously break the ineffective supply, promote the resolution of excess capacity, vigorously reduce the cost of the real economy, reduce institutional transaction costs, continue to clean up the fees charged by enterprises, and increase the investigation and rectification of arbitrary charges. Especially in electric power, petroleum, natural gas, railway and other industries, it is necessary to deepen the reform of market-oriented allocation of factors and reduce energy consumption and logistics costs.

Dynamic change focuses on the change of the development momentum of building a modern economic system. In the process of building a modern economic system, faced with the transformation of old and new kinetic energy of development, how to stimulate the vitality of various market players is an important issue. We should strengthen scientific and technological innovation, promote innovation incentives, form an environment conducive to innovation, vigorously cultivate new kinetic energy, promote the optimization and upgrading of traditional industries, cultivate a number of vanguard enterprises with innovative capabilities, and actively promote the in-depth development of integration of defense and civilian technologies. We should implement the policy of protecting property rights and identify and correct property rights disputes that have been strongly reflected by the society according to law. Fully implement and constantly improve the negative list system of market access, and get rid of discriminatory restrictions and various hidden obstacles.

Change is not unprincipled change, nor is it irregular change. Change and invariance are dialectical unity. Quality change, efficiency change and power change must comply with the correct principle requirements, that is, we must fully implement the spirit of the 19th Party Congress, take the economic thought of Socialism with Chinese characteristics, the supreme leader in the new era as the guide, strengthen the Party’s leadership over economic work, adhere to the general tone of striving for progress while maintaining stability, adhere to the new development concept, and closely follow the major contradictions and changes in our society. In this way, the "three major changes" in quality, efficiency and motivation can be changed more forcefully and orderly, and China’s economy can continuously make new progress in achieving high-quality development.

　　The Party’s Report to the 20th CPC National Congress proposed to improve the ability of disaster prevention, mitigation and relief and the handling of major public emergencies, and strengthen the construction of national and regional emergency forces.

　　China is one of the countries with the most serious natural disasters in the world, with many kinds of disasters, wide geographical distribution, high frequency and heavy losses, which is a basic national condition.

　　Timely and accurate statistical reporting of disasters is a prerequisite for efficient and orderly rescue and relief work. In China, disaster information officers at all levels are responsible for disaster statistics reporting. How has this team developed in recent years? What kind of role does it play? How to continue to improve professional ability? The reporter interviewed the heads of relevant departments of the Emergency Management Department and relevant grassroots workers.

　　 Team system — —

　　 　Extend the grassroots to cover the whole country.

　　Last June, during the flood season, Liao Zhiteng, a disaster information officer in Longji Village, Longji Town, Longsheng Autonomous County, Guilin City, Guangxi Zhuang Autonomous Region, visited the village several times a day. On the night of June 21st, heavy rainfall caused many signs of landslide and road collapse. After Liao Zhiteng found it, he immediately reported to the person in charge of disaster monitoring in Longji Town, and woke up the villagers with the big horn in the village, quickly organized evacuation and safely transferred more than 450 people within 2 hours.

　　Liao Zhiteng is one of more than 16,000 disaster information officers in Guangxi, and also the epitome of more than 1 million disaster information officers in China.

　　Lai Hongzhou, deputy director of the Disaster Relief and Material Support Department of the Emergency Management Department, introduced that at present, China has built a five-level disaster information officer system covering the whole country, with at least one disaster information officer in each village (community), and many people are on duty in disaster-prone areas.

　　Building a team of disaster information officers aims to build a nationwide disaster information statistical reporting network. Every disaster information officer is the "nerve terminal" of this network, which provides important information support for emergency rescue and disaster relief decisions of various localities and departments, and minimizes the loss of people’s lives and property.

　　"In 2022, disaster information officers at all levels in China submitted a total of 493,000 pieces of disaster and danger information, especially from late May to late June in the South ‘ Dragon boat water ’ During the period, as well as the heavy rainfall in the northern region and the flood control and disaster relief work in the Liaohe River Basin, disaster information officers in Fujian, Guangdong, Guangxi, Liaoning, Shanxi and other places timely transmitted early warning information such as heavy rain, flash floods and geological disasters, and decisively handled sudden dangerous disasters in advance, and transferred and resettled the affected people in the first time, effectively avoiding casualties and reducing property losses. " Come to Hongzhou to say.

　　It is understood that more than 90% of grassroots disaster information officers are township (street) cadres and members of the village (community) committees; There are also some social forces absorbed by the government through purchasing services and setting up public welfare posts, including volunteers, grassroots people and safety management personnel of enterprises and institutions.

　　According to the relevant person in charge of Guangxi Geological Environment Monitoring Station, to become a disaster information officer, you need to be able to quickly master simple monitoring methods of geological disasters such as pile burying method, nail burying method and patch method, and at the same time live in the local area for a long time, be familiar with the surrounding environment and have a strong sense of responsibility.

　　 Working mechanism — — 　 　

　　 　Program specification is smooth and efficient

　　In June last year, Qijiang District of Chongqing suffered from heavy rainfall, the water levels of many rivers rose, and flash floods occurred in local rivers. In the early morning of June 1, Zhou Kaili, a staff member and disaster information officer of the Emergency Office of Yongxin Town People’s Government, took action immediately after receiving a number of warning messages of lightning, rainstorm and strong wind. While calling the relevant village-level disaster information officer to collect disaster investigation information, she sent and received prompt messages in the work group. Early that morning, Zhou Kaili reported the initial data of the disaster.

　　The disaster information officer shall report the disaster in strict accordance with the procedures of initial report, continuation report and verification report. "2 hours of initial disaster report, 24 hours of disaster report, 5 days of disaster report, major disaster report immediately." Zhou Kaili will learn the requirements by heart.

　　It is also the task of the disaster information officer to assist in the emergency relocation and resettlement of the affected people and emergency life assistance. Zhou Kaili took out a ledger of relief materials, which recorded the warehousing and warehousing of relief materials in detail. Zhou Kaili carried this ledger with her and distributed relief materials with village cadres to ensure the basic livelihood of the affected people.

　　Disaster information reporting requirements are true and accurate. "The highway in Muguacun is damaged, please check the loss data." As a town-level disaster information officer, Zhou Kaili checked the disaster losses one by one with the village-level disaster information officer and entered the information into the national natural disaster management system one by one.

　　In recent years, Chongqing has strengthened the construction of disaster information staff. At present, there are 21,000 disaster information staff, at least two full-time disaster information staff in all districts and counties, at least one full-time and one part-time backbone disaster information staff in towns (streets) and at least two part-time disaster information staff in villages (communities).

　　Only when disaster information officers at all levels perform their duties can disaster information be submitted more smoothly and efficiently. According to reports, from the perspective of working procedures, disaster information officers should first complete the disaster statistics and submit them in time, and count the disasters in the region as soon as possible after the disaster, and report them to the next level for review and summary; Second, we must do a good job in the management of disaster accounts, and timely fill in detailed information such as the time, place, type of disaster, scope of influence, disaster losses, etc., especially to build a ledger of missing people who died due to the disaster and a ledger of houses damaged due to the disaster; Third, it is necessary to carry out disaster verification, assessment and consultation. After the disaster is stable, disaster information officers at the provincial, municipal and county levels need to hold disaster consultation in time, and in case of major disasters, they should also organize disaster loss verification and assessment to ensure objective and accurate disaster data.

　　 Capacity building — —

　　 　Long-term improvement of graded training

　　In addition to reporting disaster statistics, disaster information officers should also be familiar with relevant laws and regulations, take into account the transmission of early warning information, the investigation of hidden dangers of disasters, the submission of dangerous information, etc., and assist in the emergency transfer and resettlement of the affected people and emergency life assistance. They are the "first responders" of grassroots disaster prevention, mitigation and relief. "There are a large number of disaster information officers at the grassroots level, and the flow is fast. The training convergence work must be in place to really play its role." Cao Zhongsheng, deputy secretary and deputy director of the Party Committee of Chenzhou Emergency Management Bureau, Hunan Province, said.

　　Since 2019, the ministerial level of the Emergency Management Department has trained more than 100,000 teachers of national disaster information officers every year through the combination of on-site lectures and video connection, plus extended training at local levels, basically achieving full coverage of disaster information officer training at all levels.

　　Emergency management departments at all levels focus on different levels of disaster information personnel training. Focus on training disaster management policies, verification and evaluation, consultation and approval for provincial and municipal disaster information officers; Focus on training disaster information officers at county and township levels in disaster statistics and reporting, loss calculation, ledger management and practical operation of disaster reporting system; For village-level and community-level disaster information officers, do a good job in the investigation report of disasters and dangers.

　　There are a large number of disaster information officers at the grass-roots level. If all of them are trained in a centralized way, it will take a long time and a large number of people and be difficult. How to solve such a problem?

　　Villi, head of the Comprehensive Disaster Reduction and Plan Management Unit of the Emergency Management Bureau of Suxian District, Chenzhou City, said that there are more than 300 disaster information officers in towns (streets) and villages (communities) in Suxian District. To this end, in April 2022, before the main flood season came, Suxian District sent the backbone of teachers to towns (streets) to train disaster information officers in villages (communities) one by one, and then the corresponding measures were promoted throughout Chenzhou. Since the beginning of this year, Beihu District, Suxian District and Guiyang County of Chenzhou City have completed the training of disaster information officers at the township (street) and village (community) levels.

　　(Reporter Qiu Chaoyu, Virginia Lieu, Zheng Yi, Wang Xinyue, Shen Zhilin)

　　Coordination in this period: Zhang Jiaying.

Ada’s high fork is cheating
　

　　Ada, a popular anchor known as "the sexiest female anchor", has become the favorite of many fashion magazines because of her graceful figure and unique personality. A few days ago, Ada shot a set of photos of western customs for a fashion magazine. Ada, riding on a saddle with a whip in his hand, changed his usual pure and lovely image, with a cold expression and rich body language, and perfectly interpreted a sexy and undercurrent visual blockbuster.

　　Ada, who is dignified, humorous or cute in front of the stage, once under the camera lens and spotlight, will have a perfect turn of surprise performance. Recently, Ada shot the latest blockbusters for Esquire and GQ Wisdom respectively, showing the sexy temptation of attractive women, which is exciting.

　　Qi Liu Hai, baby face and a pair of flashing electric eyes, this is Ada. She is not only a sweet and lovely LOLI girl, but also a sexy girl with a proud figure and bold position. She is an enchanting and charming alternative "Sun Shangxiang" coming out of the Chinese style, and she is also a master dancer who has gone through five customs and killed six generals. On the stage, she is young, fashionable and dazzling. In private, she dresses casually and likes to shop and eat roadside stalls. Sometimes whimsical and seemingly heartless crazy girl, in fact, she is strong-willed and hard-working, and is the pillar of the whole family. Ada, known as the anchor of China’s new generation of popular beauties, is such an elusive post-80s wizard.

More wonderful photos on the next page

　　　 According to comprehensive foreign news reports, every year, thousands of people around the world leave their homes to make a living in other countries in order to avoid war, hunger and poverty, and a considerable number of them are illegal immigrants. However, what awaits them is not an imaginary paradise. Recently, an American magazine published an article revealing several important smuggling routes in the world and the tragic fate of most illegal immigrants.

　　South American stowaways become victims of drug traffickers

　　It takes many passes to enter the United States

　　Mexico has always been the main source of illegal immigrants to the United States, and it is also regarded as the best passage for illegal immigrants from many countries to enter the United States. Every year, about 75,000 Guatemalans cross the dangerous Mexican border and come to Mexico. However, local smuggling activities are controlled by drug trafficking groups. Sometimes, drug trafficking groups will deliberately let border guards find illegal immigrants to divert their attention from drug trafficking activities. In recent years, because the United States has stepped up its crackdown, many illegal immigrants have been forced to move from Texas and California to Arizona.

　　South Americans choose to smuggle mainly because of economic considerations. Many people smuggle into the United States to find a job and earn more money to send home. In addition, the rampant violence in some countries in South America is also an important reason for some people to flee abroad.

　　People who want to sneak into the United States face a severe blow. Border patrol, national guard, militia, activists against illegal immigration and so on are all powerful opponents they have to face.

　　Eastern Europe becomes a pornographic smuggling channel

　　Marriage and employment is the best bait.

　　In recent years, the number of people smuggling into the EU countries through Eastern Europe has surged, which has led to the rapid development of the smuggling market in this region. According to the statistics of relevant EU institutions, the annual transaction volume is more than 12 billion US dollars. The sources of people smuggling through this route are complicated. Some people enter Western Europe from Central Asia via Russia, and then via Ukraine, Slovakia, Czech Republic and other countries. Others pass through Iran and Turkey and then turn to the Balkans. Recently, the Romanian port of constanza has become an important transit point, and it has recently become a transit point for American planes to go to Iraq.

　　Most of the illegal immigrants here are women who want to get rid of poverty and unemployment. In many Central Asian and Eastern European countries, the unemployment rate of women is much higher than that of men. Therefore, when traffickers take marriage and employment as bait, many women in these countries will fall for it.

　　Those lucky few illegal immigrants can get poor jobs through some informal means, while most people, especially women, will be detained by their so-called employers as soon as they arrive at their destination, and they will be forced to engage in pornography. Some people can finally return to their hometown with the rescue and help of the local government, but the trauma of their hearts may never be healed.

　　Cross the Sahara and land in Europe

　　Death at any time during a dangerous journey

　　In recent years, more and more people from central and southern Africa choose to sneak out of the country. In 2006, at least 26,000 Africans landed in the Canary Islands of Spain, five times that of 2005. But more people didn’t flee so far. They came to Egypt, Libya, Algeria and other countries in the Middle East and North Africa. The smuggling trip from Africa to the European continent is very dangerous. They first have to cross the Sahara to the southern coast of Morocco, and then many people crowded on small motorboats to cross the sea to Spain. In the first 10 months of 2006, 3,000 people were killed while crossing the sea.

　　The continuous wars and economic deterioration in West Africa and other regions are the important reasons why people choose to leave. On the other hand, the thirst for a large number of cheap labor in European and North African countries also makes these places the first choice for stowaways.

　　In order to crack down on smuggling activities, port cities such as Ceuta and Melilla in Morocco have built barbed wire, the Strait of Gibraltar is also equipped with an early warning surveillance radar system, and European countries have also provided helicopters and other equipment to North African governments. The "success rate" of smuggling activities is getting lower and lower.

　　Iraqi refugees are all over the Middle East.

　　European and American countries are also not easy to treat.

　　In the past 20 years, about 200,000 people came from South Asia to the oil-producing countries in the Middle East. However, in recent years, the main force of immigrants and smugglers in the Middle East has become Iraqis. In Syria, Jordan and other countries, a large number of Iraqi refugees poured in, some Iraqis simply fled to the United States, and some routes were more complicated, from Iraq to Sweden via Turkey, Italy and Central European countries.

　　The sectarian conflict and the deteriorating domestic situation in Iraq are the main reasons for the large number of Iraqis fleeing, and some people are looking for a better job.

　　The refugees who escaped from Iraq also had a hard time. The indifference of the people in other Gulf countries, the high unemployment rate in neighboring Syria, and the strict censorship in Sweden and the United States all gave them a headache.

(Editor: Wang Huimian)

Special feature of 1905 film network Compared with other domestic films in the same period, it should be an absolute topic blockbuster. Two international directors and a Grand Slam winner have attracted considerable attention since the first poster was released in May this year.

Shunji Iwai, Japanese Wong Kar-wai, the originator of Xiao Qingxin.

Debut is the peak, relying on a film to let countless wenqing know what is called "pure love."

Douban score screenshot

Later, with the help of and so on, a large number of fascinating literary goddesses — — Yuu Aoi, Anne Suzuki, Chara, Bae Doo Na … …

In the past few decades, the "small fresh filters" that Hong Kong and Taiwan campus youth films love to use have all copied him, been imitated and never surpassed.

Chen Kexin, the best director of Golden Horse and Golden Statue.

Across Hongkong, Mainland and Taiwan Province, he will shoot explosions (,,) and even love (,,).

Zhou Xun, don’t tell me.

The first "Grand Slam Winner" in the Chinese film industry, she won all the Golden Rooster, Golden Horse and Golden Statue at the age of 30. If she wants to say that she is the first in the entertainment circle, it is estimated that no one dares to say the second.

These immortal lineups, plus a group of supporting actors with high audience: Zifeng Zhang, Qin Hao, Hugh, Tan Zhuo … … Anyway, we have to start with 200 million, and cut 700 million or 800 million as usual.

However, as of the time of Xiao Dianjun’s press release, the total box office of Hello Zhihua was only 50 million yuan, which was not only overwhelmed by Marvel Comics’s masterpiece, but even Conan, which had been released in Japan for more than half a year, dumped it twice.

Screenshot from Yien data

Why does a topic with a luxurious lineup have a dismal box office?

Is it the pot of the film itself? Or is there another reason?

Our 1905 editorial department felt that this piece … … It’s really a long story.

Elephant: another spiritual prescription

This time, Shunji Iwai, who is good at curing and causing depression, has prescribed another mental prescription. He bypassed the stereotype of blind nostalgia in youth films and put forward another view: youth, no matter how long it has passed, will still nourish your life in a subtle way.

Because of this ambiguity, I no longer cling to the freshness of youth and the gloom of adult life.

So I chose to write a letter, an act that runs counter to the present society, an imaginary ceremony and a breath of fresh air.

Small pain: Feel an emotion

Although the box office is terrible, I personally prefer Hello, China.

After all these years, Shunji Iwai is as melodramatic as ever. You have to use letters to convey information, film cameras to take pictures, and you have to give in to the word "literature and art" in a fast-paced life.

Watching his movies is more like feeling an emotion. Coupled with a fixed style, people who like it will like it very much, and people who hate it will also hate it. Besides, Dalian in the film is really beautiful.

Xiaoying: Shunji Iwai-style model opera

In the Shunji Iwai-style model opera, the love triangle between two girls and a boy is Flowers and Alice, the housewife’s flower is Changyu’s letter, and the main story is simply Love Letter … …

If you change to Japanese, you may get a score of 7 through the emotional filter, but it’s a pity that the orange raw Huaibei is bitter orange. When Hugh appeared, the introspection was quiet and out of the human fireworks.

Ke Nuo: the hero’s late self-indulgence

It’s not so much an upgraded version of Love Letter as the self-indulgence of Shunji Iwai’s hero in his late years.

Letters are still there, and the pain of youth is still there, but without the snow in a small jar, the rain in April, the green wheat fields, the fireworks on the tower … His usual specialty in creating atmosphere is covered by the dry and tasteless urban fireworks, which means less scale, less meaning and less aftertaste.　

Due to the cross-border and cross-regional cultural barriers, Iwai lost his truth and lost his mind when recreating the historical memory of the 1980s. Of course, there was Qin Hao’s wig and Hugh and Tan Zhuo who disturbed the second half. Strictly speaking, when he came to China for filming for the first time, he could not escape being forced to implant commercial advertisements (Hundred Years Old Mountain) in the film.

Layers of old, middle-aged, middle-aged and three generations of multi-group characters are stacked, and the drama has a thick product, which can be described as shifting back and forth and switching left and right, which finally weakens the intensity of empathy and gets twice the result with half the effort.

X.C.: Success is Shunji Iwai, and defeat is Shunji Iwai.

I don’t deny that I will be hit by some of these emotions, but when I think about it, I feel a little melodramatic. That kind of emotion is taken away by the camera when you are absolutely emotional. But if the audience is a little more rational, this emotion is cleaner than a blank sheet of paper in an instant.

Spell a lot: the Japanese bring their own things to mourn, and the Chinese context is really lacking.

The biggest question in Hello, China is not whether Japanese feelings can be expressed by China actors. Of course, this is also a question in the film — — In the suicide note as an important prop, what kind of adults will we become when summer is over? The Japanese bring their own mourning for things, and the Chinese context is really lacking.

The biggest problem is the rush and emptiness of the film. There is no full story to carry the theme of regret, missing, growth and so on that Shunji Iwai wants to express.

But there is one thing I like very much, about Nan, the protagonist who is not present, who has failed for 30 years after continuous Excellence. This is the strength of Japanese directors, which warmly shows you a negative energy world.

Looking at the above contents, it is not difficult to see that this is a controversial literary film, and the controversy mainly revolves around the content of the film itself, such as stories, characters, styles, shots, emotions and so on.

There is no doubt that Hello, China is full of distinctive director style, and the setting, filters, details and interests of "Shunji Iwai style" are everywhere, which invisibly divides the audience into camps.

For fans who are familiar with and like him.Despite the use of China’s cast, those delicate and tender narratives, those endless feelings, are still the original formula, or the familiar taste, which is the China version of Love Letter.

For fans who are so familiar with it that they expect to see surprises.This is a collection of Shunji Iwai’s works, funeral, letter writing, love triangle … … These scenes are so boring that they seem to be frying cold rice. This is "Shunji Iwai’s movie", but it is not the "Shunji Iwai’s movie" they want.

butPassers-by who are not very interested in Shunji Iwai.Perhaps they are directed at their favorite actors, perhaps because of their friends’ Amway, or perhaps because they are interested in the fame of the main creator, but most of them are almost dissuaded by "movies are too literary".

The word "literature and art" is a double-edged sword for Hello, Zhihua.

On the one hand, it needs such a unique temperament to consolidate its fans, but on the other hand, it is a tonality dilemma that the film’s main creation and announcement can’t escape.

According to the box office data of urban movies in the first three quarters of 2018, although the box office market in the north, Guangzhou and Shenzhen is very large, the growth rate has been overtaken by the second, third and fourth lines.

The picture comes from the movie box office, right?

Explosions such as "Lover", "Ex-3" and so on all captured the appetite of young people in small towns and thus seized the box office.

And "Hello, Zhihua", as a Japanese pure love live-action film, its own type limits its box office trend to be not strong enough.

Aragaki Yui, who once had "10 million husbands in China", starred in a light comedy. In the end, the box office in the mainland was only 18 million, and the "original" Shunji Iwai won more than 40 million. The audience already bought it.

Screenshot from Yien data

Although the content style of literary films limited the audience to enter the cinema, the box office of "Hello, China" was not just the pot of the film. Their propaganda team did not lower the threshold at all, and almost gave up potential incremental users.

All the core materials, that is, posters and trailers, are developed around the three main creations. Even the final posters are spliced by a group of actors, and the viral materials are spread by a large number of literary languages.

From mid-May to mid-September, the poster was issued, the first notice was finalized, and then the national roadshows in several cities were launched from October to early November, until the release on November 9, and the planning and publicity with memory points was almost zero.

On the cooperation platform, the "Hello, Zhihua" team also takes the route of "standing tall" and "pushing hard", such as the Bazaar dialogue between Zhou Xun and Chen Kexin, and the Zhihu Salt club dialogue in Shunji Iwai. How many small town youths will watch these platforms? It is estimated that it is very small.

These publicity activities not only failed to clarify the theme and topic of the film, but also did not arouse the interest of passers-by. They just kept strengthening the inherent fans of the main creation and style, and did not mean to precipitate downward and expand incrementally.

The previous groups of virus materials were simple and rude, but the tonality of the film was clarified, and the lower users were opened up, which even catered to the interests of the fan group.

The "positive energy" public service advertisement released by "Venom" in the same period is also very memorable.In the big environment where everyone has to publish koi fish and Fantastic Animals have to rely on "sniffing" to make money, and everyone is competing to tell jokes in Tik Tok and Aauto Quicker, "only children with enough soil can have sugar to eat", and the still "high cold" announcement is undoubtedly giving away the heat and flow.

Of course, it is impossible to sell literary films, but they will still enter the cinema and the market.

However, if the marketing promotion of a movie is just talking to itself on an insulated platform and disconnecting from the audience’s distribution and materials, it is simply useless to maximize the effect.

No matter how stylized the visual image is, no matter how meaningful the postmodern narrative is, it can only be confined to the deep alley to admire itself.

1905 movie network news　Directed and directed by Bo Huang, the film starring Wang Baoqiang, Shu Qi, LAY, Yu Hewei and Wang Xun will be released nationwide on August 10th. Eight days before the release, the movie The Island released the theme song "When Every Star" MV. "When Every Star" is composed by A Xin, the lead singer of "Asian Sky Group" in Mayday. The melody is bright and passionate, and the lyrics are euphemistic and affectionate. Based on the "falling meteorite" in the movie, it expresses the thoughts and attachment to the sweetheart in the barren world. It is reported that this song will be released in two versions, the chorus version of A Xin and Bo Huang is vast and passionate, and the solo version of A Xin is thoughtfully explored, hoping to bring different feelings and understandings to fans.

The theme song of Bo Huang A Xin’s first chorus film, Bo Huang Shu Qi’s drama, is expected.

The movie The Island’s theme song "When Every Star" MV was jointly filmed by Bo Huang and A Xin, which is the first time that they sang the theme song of the movie together. In the MV, Bo Huang and A Xin are dressed in black dresses, and the LED screen behind and under their feet changes in light and shadow. Sometimes they are in the bright Milky Way, and sometimes they wander in the sea of Wang Yang. The whole picture is magnificent, dazzling and dreamy.

At the same time, the movie clips interspersed in the MV also make people wonder about the emotional lines of Bo Huang and Shu Qi in the play. It is reported that the film The Island tells the fable story that employees of the company were shipwrecked by falling meteorites, forced to live together on a desert island, and faced a series of "human nature" problems. In the film, Bo Huang plays Ma Jin, a low-level employee who has been suppressed everywhere, while Shu Qi plays Shanshan, a beautiful and charming public lover. In the real society, two people with great differences collided with romantic sparks after living on a desert island.

In the first half of the MV, the pictures of people’s life on the island are slowly presented to the audience. They play in the forest and make a living by fishing. Shu Qi, wearing a garland, smiled and held out her hand to Bo Huang, as if she were a fairy from the sky, while Bo Huang also gazed at Shu Qi affectionately in the candlelight, with tender feelings in her eyes. They chatted in the wooden house and watched the sea, and Shu Qi smiled brightly and was beautiful.

However, in the second half of the MV, a series of pictures of disasters broke out, the ship exploded, and everyone cried. The whole island seemed to be coming to an end, Shu Qi left sadly, and Bo Huang fell into the deep sea. This dramatic change, on the one hand, makes people curious about the twists and turns in their emotional line, on the other hand, it also makes people think about the truth and falsehood in a deserted life. With the lyrics saying, "Every fantasy is disillusioned, can you believe that you will appear?" In the movie, Bo Huang, who once had no money, no right and no love in the real society, now has everything on a desert island. Is this a good play or a dream of his? Between truth and falsehood, what should we believe and insist on? If we can always live an illusory dream, do we still have to choose to wake up and face the reality?

A Xin praised the touching film The Island and devoted himself to creating the theme song after 60 days.

In May 2017, when the "LIFE Unlimited Company" concert tour was held, Bo Huang was invited to support the concert and make a series of movies, which surprised the fans. In an interview, A Xin also expressed his love for Bo Huang movies several times. This time, Bo Huang, as a new director, invited A Xin to write a theme song for the film The Island with the mentality of giving it a try. A Xin readily agreed to write lyrics and compose music himself after watching the pilot version of the film The Island, and praised the film for its touching and profound meaning.

Since A Xin decided to create the theme song of the film in January this year, A Xin and Bo Huang have made many video calls, carefully communicating the idea and direction of the theme song. After 60 days of intensive creation, they finally achieved the effect of satisfying both of them. A Xin said with a smile that Bo Huang sent the audio track to himself the next day after singing his own part. Although he clearly sang well, he still asked modestly.

Bo Huang also admitted that he was very happy that A Xin could write the theme song for the film The Island. This song was used in the happiest, most joyful and beautiful part of the film, which played a vital role in the emotional development of the characters. Next, there will be more cooperation between Mayday and the film The Island, and in what form, let’s look forward to it together.